Phryne before the Areopagus in the context of "Asebeia"

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⭐ Core Definition: Phryne before the Areopagus

Phryne Before the Areopagus (French: Phryne devant l'Areopage) is an 1861 painting by the French artist Jean-Léon Gérôme. The painting depicts the trial of Phryne, an ancient Greek hetaira (courtesan), who was charged with impiety. Phryne was said to have been acquitted after her defender Hypereides removed her robe and exposed her naked bosom, "to excite the pity of her judges by the sight of her beauty."

The painting was exhibited at the 1861 Salon. It is in the collection of the Kunsthalle Hamburg in Germany.

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Phryne before the Areopagus in the context of Praxiteles

Praxiteles (/prækˈsɪtɪlz/; Greek: Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.

A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting (Gérôme) to comic opera (Saint-Saëns) to shadow play (Donnay).

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