Jean-Léon Gérôme in the context of "Phryne before the Areopagus"

Théodore Jacques Ralli or Theodorus Rallis (full name: Theodoros Rallis-Scaramanga; Greek: Θεόδωρος Ράλλης; Constantinople, 16 February 1852 – 2 October 1909, Lausanne) was a Greek painter, watercolourist and draughtsman, who spent most of his working life in France, Greece and Egypt. Ralli was an Academic, Orientalist and Impressionist painter. He painted genre works, portraits, local figures, architectural subjects, interiors with figures and animals. Ralli is known for his orientalist paintings and paintings of Greek everyday life. Ralli was from a wealthy Greek family known as the Ralli family. They were one of the wealthiest and most successful Greek merchant families of the 19th century, and the Ralli company was operated primarily by the extended family. They had operations spanning the entire world. Maria Katsanaki’s 2007 dissertation features a catalog of over 400 paintings attributed to Ralli. Most of his works are in private collections. Rallis was a student of Jean-Léon Gérôme and Jean-Jules-Antoine Lecomte du Nouy, both painters were orientalist, and Gérôme also painted in the style known as academicism. Ralli was considered one of Gérôme's best students. His work The Booty drew inspiration from Gérôme's The Slave Market.

Ralli was born in Constantinople, which is now known as Istanbul, to a Greek family originally from Chios on his father Iakovos' side; his mother Katina was from the Greek island Syros. From a young age, he was interested in painting, but due to his family's opposition to a professional painting career, he went to work for the Ralli family business in London until his father's death in 1871. He travelled to Paris as early as 1873 and learned painting, showing an interest in academicism and oriental art, although some of his works reveal Impressionism. In 1875, his works were accepted and exhibited by the prestigious Paris Salon. The young painter also became a member of the Société des Artistes Français and maintained a studio in Paris for the remainder of his life. After 1879, Rallis travelled to London and exhibited his works at the Royal Academy in London and continued an affiliation with the institution throughout his life.

Jean Alexandre Michel André Castaigne (French pronunciation: [ʒɑ̃ alɛksɑ̃dʁ miʃɛl ɑ̃dʁe kastɛɲ]; 7 January 1861, in Angoulême, Charente – 1929, in Angoulême) was a French artist and engraver, a student of Jean-Léon Gérôme and Alexandre Cabanel. Subsequently he became a leading illustrator in the United States. He is often recalled as the original illustrator of the first edition of The Phantom of the Opera.

Castaigne also created more than 36 art pieces about Alexander the Great for an 1898–99 series. As an illustrator, he captured images of the first modern olympics; he drew pictures of the 1896 Olympic Games for Scribner's Magazine.

Early Christians were heavily persecuted throughout the Roman Empire until the 3rd century. Although Christianity initially emerged as a small Jewish movement in 1st-century Judaea, it quickly branched off as a separate religion and began spreading across the various Roman territories at a pace that put it at odds with the well-established Roman imperial cult, to which it stood in opposition; Christians were vocal in their expressions of abhorrence towards the beliefs and practices of Roman paganism, such as deifying and making ritual sacrifices to the Roman emperor or partaking in other methods of idolatry. Consequently, the Roman state and other members of civic society routinely punished Christians for treason, various rumoured crimes, illegal assembly, and for introducing an alien cult that drove many Roman people to apostasy in favour of Jesus Christ. According to Tacitus, the first wave of organized persecution occurred under Nero (r. 54–68), who blamed Christians for the Great Fire of Rome in 64. A number of mostly localized persecutions occurred during the reign of Marcus Aurelius (r. 161–180). After a lull, persecution resumed under Decius (r. 249–251) and Trebonianus Gallus (r. 251–253). The Decian persecution was particularly extensive, as Decius strived to restore the Roman golden age in part by forcing pagan practices upon the Christian community. Another wave of persecution began under Valerian (r. 253–260), but ceased abruptly after he was captured and taken prisoner by the Sasanian Empire during the Battle of Edessa of the Roman–Persian Wars. Under his successor Gallienus (r. 253–268), whose reign was marred by rapidly escalating military conflicts of the Crisis of the Third Century, the first ever decree of tolerance was issued for Christian practices and places of worship, although it stopped short of recognizing Christianity as a religion with legal status.

Emperor Diocletian (r. 283–305) began the Diocletianic persecution, which was the final and the most severe wave of persecution of Christians by the Roman state. It was enforced until the accession of Galerius (r. 305–311), who issued the Edict of Serdica, and the death of Maximinus Daza (r. 310–313). After Constantine the Great (r. 306–337) defeated his rival Maxentius (r. 306–312) at the Battle of the Milvian Bridge in October 312, he and his co-emperor Licinius issued the Edict of Milan, which decriminalized Christianity and suppressed pagan populations throughout the Roman Empire. In 380, Theodosius I (r. 379–395) issued the Edict of Thessalonica, officially establishing Christianity as the Roman state religion. It was also during the reign of Theodosius I that pagan practices were overtly deemed punishable offenses, which laid the framework for early Byzantine anti-pagan policies.

Praxiteles (/prækˈsɪtɪliːz/; Greek: Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.

A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting (Gérôme) to comic opera (Saint-Saëns) to shadow play (Donnay).

In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.

Since the publication of Edward Said's Orientalism in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, 'the West' essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, flexible, and superior. This allows 'Western imagination' to see 'Eastern' cultures and people as both alluring and a threat to Western civilization.

Irregular military is any military component distinct from a country's regular armed forces, representing non-standard militant elements outside of conventional governmental backing. Irregular elements can consist of militias, private armies, mercenaries, or other non-state actors, though no single definition exists beyond exclusion from national service. Without standard military unit organization, various more general names are often used; such organizations may be called a troop, group, unit, column, band, or force. Irregulars are soldiers or warriors that are members of these organizations, or are members of special military units that employ irregular military tactics. This also applies to irregular infantry and irregular cavalry units.

Irregular warfare is warfare employing the tactics commonly used by irregular military organizations. This often overlaps with asymmetrical warfare, avoiding large-scale combat and focusing on small, stealthy, hit-and-run engagements.

Jean-Jules-Antoine Lecomte du Nouÿ (10 June 1842 in Paris – 19 February 1923 in Paris) was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious.

Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century. A Parisian street was named after him in 1932.

The Booty is a painting created by Greek painter Theodorus Rallis. He was a watercolourist and draughtsman creating portraits, local figures, architectural subjects, interiors, and genre works.  Rallis was best known for his orientalist paintings. Theodorus was trained in France by Jean-Léon Gérôme and Jean-Jules-Antoine Lecomte du Nouy. Both of the painters were Orientalists.  Jean-Léon was a professor at the École des Beaux-Arts and also an academist.  Theodorus acquired knowledge of both academic art and orientalism from his professors. He first exhibited his work at the Salon of 1875 in Paris and was a member of the Société des Artistes Français. Rallis also frequently exhibited works at the Royal Academy in London from 1879 onwards. There is no exact inventory of the painters' existing catalog, but Artnet has tracked over 217 paintings and 15 works on paper attributed to Rallis. In 1900, Rallis was awarded the decoration of the Knight of the Legion of Honor by France.

Common artistic themes of Ottoman Oppression towards Greeks and other inhabitants of the empire recurred throughout the 19th century. In 1824, The Massacre at Chios was completed by French painter Eugène Delacroix, and it features the horrors the Greek people endured during the 1822 Chios massacre. Although Rallis was born in Constantinople, his family was originally from Chios. Another French painter named Constance Blanchard, painted Greek Women of Souli Running to Their Death in 1838, featuring Greek women and children jumping to their deaths to avoid capture, enslavement, rape, and lifelong torture.