Phrygian Gates is a piano piece written by minimalist composer John Adams in 1977–1978. The piece, together with its smaller companion China Gates, written for the pianist Sarah Cahill, is considered by Adams to be his "opus one". They are, according to his own claims, his first compositions consisting of a coherent personal style. It was commissioned and written for the pianist Mack McCray, and first performed by him in the Hellman Hall, San Francisco on March 17, 1978. The work was funded by a group of the board of trustees of the San Francisco Conservatory of Music.
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👉 Phrygian Gates in the context of John Adams (composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, many of which center around historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic, and piano music.
Born in Worcester, Massachusetts, Adams grew up in a musical family and was exposed to classical music, jazz, musical theatre, and rock music. He attended Harvard University, studying with Leon Kirchner, Roger Sessions, and David Del Tredici, among others. His earliest work was aligned with modernist music, but he began to disagree with its tenets upon reading John Cage's Silence: Lectures and Writings. Teaching at the San Francisco Conservatory of Music, Adams developed a minimalist aesthetic first fully realized in Phrygian Gates (1977) and later in the string septet Shaker Loops. Adams became increasingly active in San Francisco's contemporary music scene, and his orchestral works Harmonium (1980–1981) and Harmonielehre (1985) first gained him national attention. Other popular works from this time include the fanfare Short Ride in a Fast Machine (1986) and the orchestral work El Dorado (1991).
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Phrygian Gates in the context of Short Ride in a Fast Machine
Short Ride in a Fast Machine is a 1986 orchestral work by John Adams. Adams applies the description "fanfare for orchestra" to this work and to the earlier Tromba Lontana (1986). The former is also known as Fanfare for Great Woods because it was commissioned for the Great Woods Festival of the Pittsburgh Symphony Orchestra.
As a commentary on the title, Adams inquires, "You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn't?" The work is an example of Adams's postminimal style, which is utilized in other works like Phrygian Gates, Shaker Loops, and Nixon in China. This style derives from minimalism as defined by the works of Steve Reich, Terry Riley, and Philip Glass, although it proceeds to "make use of minimalist techniques in more dramatic settings."