Photographic filter in the context of "Neutral-density filter"

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⭐ Core Definition: Photographic filter

In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.

Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding a starry effect, etc. Linear and circular polarising filters reduce oblique reflections from non-metallic surfaces.

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👉 Photographic filter in the context of Neutral-density filter

In photography and optics, a neutral-density filter, or ND filter, is a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter, and is denoted by Wratten number 96. The purpose of a standard photographic neutral-density filter is to reduce the amount of light entering the lens. Doing so allows the photographer to select combinations of aperture, exposure time and sensor sensitivity that would otherwise produce overexposed pictures. This is done to achieve effects such as a shallower depth of field or motion blur of a subject in a wider range of situations and atmospheric conditions.

For example, one might wish to photograph a waterfall at a slow shutter speed to create a deliberate motion-blur effect. The photographer might determine that to obtain the desired effect, a shutter speed of ten seconds was needed. On a very bright day, there might be so much light that even at minimal film speed and a minimal aperture, the ten-second shutter speed would let in too much light, and the photo would be overexposed. In this situation, applying an appropriate neutral-density filter is the equivalent of stopping down one or more additional stops, allowing the slower shutter speed and the desired motion-blur effect.

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Photographic filter in the context of Color vision

Color vision (CV), a feature of visual perception, is an ability to perceive differences between light composed of different frequencies independently of light intensity.

Color perception is a part of the larger visual system and is mediated by a complex process between neurons that begins with differential stimulation of different types of photoreceptors by light entering the eye. Those photoreceptors then emit outputs that are propagated through many layers of neurons ultimately leading to higher cognitive functions in the brain. Color vision is found in many animals and is mediated by similar underlying mechanisms with common types of biological molecules and a complex history of the evolution of color vision within different animal taxa. In primates, color vision may have evolved under selective pressure for a variety of visual tasks including the foraging for nutritious young leaves, ripe fruit, and flowers, as well as detecting predator camouflage and emotional states in other primates.

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Photographic filter in the context of Haze

Haze is traditionally an atmospheric phenomenon in which dust, smoke, and other dry particulates suspended in air obscure visibility and the clarity of the sky. The World Meteorological Organization manual of codes includes a classification of particulates causing horizontal obscuration into categories of fog, ice fog, steam fog, mist, haze, smoke, volcanic ash, dust, sand, and snow. Sources for particles that cause haze include farming (stubble burning, ploughing in dry weather), traffic, industry, windy weather, volcanic activity and wildfires.Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey instead. Whereas haze often is considered a phenomenon occurring in dry air, mist formation is a phenomenon in saturated, humid air. However, haze particles may act as condensation nuclei that leads to the subsequent vapor condensation and formation of mist droplets; such forms of haze are known as "wet haze".

In meteorological literature, the word haze is generally used to denote visibility-reducing aerosols of the wet type suspended in the atmosphere. Such aerosols commonly arise from complex chemical reactions that occur as sulfur dioxide gases emitted during combustion are converted into small droplets of sulfuric acid when exposed. The reactions are enhanced in the presence of sunlight, high relative humidity, and an absence of air flow (wind). A small component of wet-haze aerosols appear to be derived from compounds released by trees when burning, such as terpenes. For all these reasons, wet haze tends to be primarily a warm-season phenomenon. Large areas of haze covering many thousands of kilometers may be produced under extensive favorable conditions each summer.

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Photographic filter in the context of Didymium

Didymium (Greek: δίδυμο, romanizeddídymo, twin) is a mixture of the elements praseodymium and neodymium. It is used in safety glasses for glassblowing and blacksmithing and filter lenses for flame testing, especially with a gas (propane)-powered forge, where it provides a filter that selectively blocks the yellowish light at 589 nm emitted by the hot sodium in the glass without having a detrimental effect on general vision, unlike dark welder's glasses and cobalt glasses. The usefulness of didymium glass for eye protection of this sort was discovered by Sir William Crookes.

Didymium photographic filters are often used to enhance autumn scenery by making leaves appear more vibrant. It does this by removing part of the orange region of the color spectrum, acting as an optical band-stop filter. Unfiltered, this group of colors tends to make certain elements of a picture appear "muddy". These photographic filters are also used by nightscape photographers, as they absorb part of the light pollution caused by sodium street lights. Didymium was also used in the sodium vapor process for matte work due to its ability to absorb the yellow color produced by its eponymous sodium lighting.

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