Phocion in the context of "Phocus of Glisas"

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⭐ Core Definition: Phocion

Phocion (/ˈfʃiən, -ˌɒn/; Ancient Greek: Φωκίων Φώκου Ἀθηναῖος Phokion; c. 402 – c. 318 BC), nicknamed The Good (ὁ χρηστός ho khrēstos), was an Athenian statesman and strategos, and the subject of one of Plutarch's Parallel Lives.

Phocion was a successful politician of Athens. He believed that extreme frugality was the condition for virtue and lived in accord with this; consequently, he was popularly known as "The Good." Further, people thought that Phocion was the most honest member of the Athenian Assembly. However, within this chamber, Phocion's tendency to strong opposition relegated him to a solitary stand against the entire political class. Nonetheless, by both his individual prestige and his military expertise, which was acquired by the side of Chabrias, Phocion was elected strategos numerous times, with a record 45 terms in office. Thus, during most of his 84 years of life, Phocion occupied the most important Athenian offices.

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👉 Phocion in the context of Phocus of Glisas

Phocus (/ˈfkəs/; Ancient Greek: Φῶκος means "seal" (marine animal) was the name of the eponymous hero of Phocis in Greek mythology. Ancient sources relate of more than one figure of this name, and of these at least two are explicitly said to have had Phocis named after them.

Phocus is also the name of the son of Phocion.

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Phocion in the context of Hierarchy of genres

A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value.

In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his Life of John Milton: "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century.

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