Philosophical fiction in the context of "I Heart Huckabees"

Play Trivia Questions online!

or

Skip to study material about Philosophical fiction in the context of "I Heart Huckabees"

Ad spacer

⭐ Core Definition: Philosophical fiction

Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy. It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development of knowledge, whether there exists free will, or any other topic of philosophical interest. Philosophical fiction includes the novel of ideas, which can also fall under the genre of science fiction, utopian and dystopian fiction, and bildungsroman.

There is no universally accepted definition of philosophical fiction, but a sampling of notable works can help to outline its history. For example, a Platonic dialogue could be considered philosophical fiction. Some modern philosophers have written novels, plays, or short fiction in order to demonstrate or introduce their ideas. Common examples include Voltaire, Fyodor Dostoevsky, Thomas Mann, Hermann Hesse, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir and Ayn Rand. Authors who admire certain philosophers may incorporate their ideas into the principal themes or central narratives of novels. Some examples include The Moviegoer (Walker Percy), Thus Spoke Zarathustra (Nietzsche), Wittgenstein's Mistress (David Markson), and Speedboat (post-structuralism).

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Philosophical fiction in the context of I Heart Huckabees

I Heart Huckabees (stylized as i ♥ huckabees; also I Love Huckabees) is a 2004 philosophical comedy-drama film directed and produced by David O. Russell, who cowrote the screenplay with Jeff Baena.

A self-described "existential comedy", I Heart Huckabees follows a pair of detectives (Dustin Hoffman and Lily Tomlin) hired to investigate the meaning of the life of their clients (Jude Law, Jason Schwartzman, Mark Wahlberg and Naomi Watts). As the different investigations cross paths, their rival and nemesis (Isabelle Huppert) tries to drag their clients into her own views on the meaning of their lives.

↓ Explore More Topics
In this Dossier

Philosophical fiction in the context of Slipstream genre

Slipstream is a literary genre or category of speculative fiction that blends together science fiction, fantasy, and literary fiction, or otherwise does not remain within conventional boundaries of genre and narrative. It directly extends from the experimentation of the New Wave science fiction movement while also borrowing from fantasy, psychological fiction, philosophical fiction and other genres or styles of literature.

Historical examples of the genre were partially codified in Feeling Very Strange: The Slipstream Anthology; contemporary examples include Peaces by Helen Oyeyemi, The Dangers of Smoking in Bed by Mariana Enríquez, and The Butterfly Lampshade by Aimee Bender.

↑ Return to Menu

Philosophical fiction in the context of Thus Spoke Zarathustra

Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen), also translated as Thus Spake Zarathustra, is a work of philosophical fiction written by German philosopher Friedrich Nietzsche and published in four volumes between 1883 and 1885. The protagonist is nominally the historical Zarathustra, more commonly called Zoroaster in the West.

Much of the book consists of discourses by Zarathustra on a wide variety of subjects, most of which end with the refrain "thus spoke Zarathustra". The character of Zarathustra first appeared in Nietzsche's earlier book The Gay Science (at §342, which closely resembles §1 of "Zarathustra's Prologue" in Thus Spoke Zarathustra).

↑ Return to Menu

Philosophical fiction in the context of The Brothers Karamazov

The Brothers Karamazov (Russian: Братья Карамазовы, romanized: Brat'ya Karamazovy, IPA: [ˈbratʲjə kərɐˈmazəvɨ]), also translated as The Karamazov Brothers, is the eighth and final novel by Russian author Fyodor Dostoevsky. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger from January 1879 to November 1880. Dostoevsky died less than four months after its publication. It has been acclaimed as one of the supreme achievements in world literature.

Set in 19th-century Russia, The Brothers Karamazov is a passionate philosophical novel that discusses questions of God, free will, and morality. It has also been described as a theological drama dealing with problems of faith, doubt, and reason in the context of a modernizing Russia, with a plot that revolves around the subject of patricide. Dostoevsky composed much of the novel in Staraya Russa, which inspired the main setting.

↑ Return to Menu

Philosophical fiction in the context of The Picture of Dorian Gray

The Picture of Dorian Gray is an 1890 philosophical fiction and Gothic horror novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine, while the novel-length version was published in April 1891. Wilde's only novel, it is widely regarded as a classic of both Gothic and English literature, having been adapted many times for films, stage, plays, and other forms of art performances, in addition to inspiring the Dorian Awards since 2009.

The work was originally commissioned by J. M. Stoddart, the managing editor of Lippincott's Monthly Magazine, as a novella in 1889, but after facing public backlash for its perceived immorality, Wilde revised the story. He added a new preface which outlined his aesthetic philosophy and also expanded the initial narrative with six additional chapters. It was this expanded version which eventually became the novel. Critics have also noted that an earlier story written by Wilde, titled The Portrait of Mr. W. H. and published in 1889, has several of the themes and styles seen in this novel. The story itself originated from a conversation Wilde had with his friend, artist Basil Ward, who was an early version of the character Basil Hallward.

↑ Return to Menu