Philip Massinger (1583 – 17 March 1640) was an English dramatist. His plays, including A New Way to Pay Old Debts, The City Madam, and The Roman Actor, are noted for their satire and realism, and their political and social themes.
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👉 Philip Massinger in the context of The City Madam
The City Madam is a Caroline era comedy written by Philip Massinger. It was licensed by Sir Henry Herbert, the Master of the Revels, on 25 May 1632 and was acted by the King's Men at the Blackfriars Theatre. It was printed in quarto in 1658 by the stationer Andrew Pennycuicke, who identified himself as "one of the Actors" in the play. A second edition followed in 1659. Pennycuicke dedicated the play (Massinger was long dead) to Ann, Countess of Oxford—or at least most of the surviving copies bear a dedication to her; but others are dedicated to any one of four other individuals.
No direct source for the play has been identified, other than Massinger's own earlier play, A New Way to Pay Old Debts, which was modelled on Thomas Middleton's A Trick to Catch the Old One. Specific connections have been cited between The City Madam and Shakespeare's Measure for Measure (regarding Sir John Frugal's pretended absence and masquerade), Ben Jonson's Volpone (Luke Frugal's rhapsodising over his wealth), and Rollo, Duke of Normandy (Stargaze's astrological verbiage), among other works.
In this Dossier
Philip Massinger in the context of John Fletcher (playwright)
John Fletcher (December 1579 – August 1625) was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.
Although his reputation has subsequently declined, he remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.
Philip Massinger in the context of A New Way to Pay Old Debts
A New Way to Pay Old Debts (c. 1625, printed 1633) is an English Renaissance drama, the most popular play by Philip Massinger. Its central character, Sir Giles Over-reach, became one of the more popular villains on English and American stages through the 19th century.
Philip Massinger in the context of The Roman Actor
The Roman Actor is a Caroline era stage play, a tragedy written by Philip Massinger. It was first performed in 1626, and first published in 1629. A number of critics have agreed with its author, and judged it one of Massinger's best plays.