Athena in the context of "Humbaba"

Athens is the capital and largest city of Greece. A significant coastal urban area in the Mediterranean, Athens is also the capital of the Attica region and is the southernmost capital on the European mainland. With its urban area's population numbering over 3.6 million, it is the eighth-largest urban area in the European Union (EU). The Municipality of Athens (also City of Athens), which constitutes a small administrative unit of the entire urban area, had a population of 643,452 in 2021, within its official limits, and a land area of 38.96 km (15.04 sq mi).

Athens is one of the world's oldest cities, with its recorded history spanning over 3,400 years, and its earliest human presence beginning somewhere between the 11th and 7th millennia BCE. According to Greek mythology the city was named after Athena, the ancient Greek goddess of wisdom, but modern scholars generally agree that the goddess took her name after the city. Classical Athens was one of the most powerful city-states in ancient Greece. It was a centre for democracy, the arts, education and philosophy, and was highly influential throughout the European continent, particularly in Ancient Rome. For this reason it is often regarded as the cradle of Western civilisation and the birthplace of democracy in its own right independently from the rest of Greece.

Historiography is the study of the methods used by historians in developing history as an academic discipline. By extension, the term historiography is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research, and theoretical approaches to the interpretation of documentary sources. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, of WWII, of the pre-Columbian Americas, of early Islam, and of China—and different approaches to the work and the genres of history, such as political history and social history. Beginning in the nineteenth century, the development of academic history produced a great corpus of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question.

In Europe, the academic discipline of historiography was established in the 5th century BC with the Histories, by Herodotus, who thus established Greek historiography. In the 2nd century BC, the Roman statesman Cato the Elder produced the Origines, which is the first Roman historiography. In Asia, the father and son intellectuals Sima Tan and Sima Qian established Chinese historiography with the book Shiji (Records of the Grand Historian), in the time of the Han Empire in Ancient China. During the Middle Ages, medieval historiography included the works of chronicles in medieval Europe, the Ethiopian Empire in the Horn of Africa, Islamic histories by Muslim historians, and the Korean and Japanese historical writings based on the existing Chinese model. During the 18th-century Age of Enlightenment, historiography in the Western world was shaped and developed by figures such as Voltaire, David Hume, and Edward Gibbon, who among others set the foundations for the modern discipline. In the 19th century, historical studies became professionalized at universities and research centers along with a belief that history was like a science. In the 20th century, historians incorporated social science dimensions like politics, economy, and culture in their historiography.

Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer is known to have classified either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs".

Most ancient Greeks recognized the twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. The worship of these deities, and several others, was found across the Greek world, though they often have different epithets that distinguished aspects of the deity, and often reflect the absorption of other local deities into the pan-Hellenic scheme.

Minerva (/mɪˈnɜːrvə/; Latin: [mɪˈnɛru̯ä]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.

Minerva is a virgin goddess. Her domain includes music, poetry, medicine, wisdom, commerce, weaving, and the crafts. Minerva is often depicted with her sacred creature, an owl usually named the "owl of Minerva" which symbolised her association with wisdom and knowledge, as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build. She is often wearing armour and carrying a spear. As an important Roman goddess, she is highly revered, honored, and respected. Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.

The Parthenon (/ˈpɑːrθəˌnɒn, -nən/; Ancient Greek: Παρθενών, romanized: Parthenōn [par.tʰe.nɔ̌ːn]; Greek: Παρθενώνας, romanized: Parthenónas [parθeˈnonas]) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of ancient Greece, Western civilization, and democracy.

The Parthenon was built in the 5th century BC in thanksgiving for the Greek victory over the Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC; work on the artwork and decorations continued until 432 BC. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire.

In Greek mythology, a little owl (Athene noctua) traditionally represents or accompanies Athena, the virgin goddess of wisdom, or Minerva, her syncretic incarnation in Roman mythology. Because of such association, the bird—often referred to as the "owl of Athena" or the "owl of Minerva"—has been used as a symbol of knowledge, wisdom, perspicacity and erudition throughout the Western world.

The Gorgons (/ˈɡɔːrɡənz/ GOR-gənz; Ancient Greek: Γοργώνες), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters, the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus.

Gorgons were dread monsters with terrifying eyes. A Gorgon head was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm.

The Athena Promachos (Ἀθηνᾶ Πρόμαχος, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Phidias, which stood between the Propylaea and the Parthenon on the Acropolis of Athens. Athena was the tutelary deity of Athens and the goddess of wisdom and warriors. Pheidias also sculpted two other figures of Athena on the Acropolis, the huge gold and ivory ("chryselephantine") cult image of Athena Parthenos in the Parthenon and the Lemnian Athena.

The designation Athena Promachos is not attested before a dedicatory inscription of the early fourth century CE; Pausanias (1.28.2) referred to it as "the great bronze Athena" on the Acropolis.