The Petit Palais (French: [p(ə)ti palɛ]; English: Small Palace) is an art museum in the 8th arrondissement of Paris, France.
Built for the 1900 Exposition Universelle ("universal exhibition"), it now houses the City of Paris Museum of Fine Arts (Musée des beaux-arts de la ville de Paris). The Petit Palais is located across from the Grand Palais on the former Avenue Nicolas II, today Avenue Winston-Churchill. The other façades of the building face the Seine and Avenue des Champs-Élysées.
The International Exhibition of Modern Decorative and Industrial Arts (French: Exposition internationale des arts décoratifs et industriels modernes) was a specialized exhibition held in Paris, France, from April 29 (the day after it was inaugurated in a private ceremony by the President of France) to November 8, 1925 (Originally the event was scheduled to end on October 25, but since it was visited by over 16 million people by the end of October, it was extended for two more weeks). It was designed by the French government to highlight the new modern style of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty countries, and it was visited by over sixteen million people during its six-month run. The modern style presented at the exposition later became known as "Art Deco", after the exposition's name.
The Salon d'Automne (French: [salɔ̃ dotɔn]; English: Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.
Perceived as a reaction against the conservative policies of the official Paris Salon, this massive exhibition almost immediately became the showpiece of developments and innovations in 20th-century painting, drawing, sculpture, engraving, architecture and decorative arts. During the Salon's early years, established artists such as Pierre-Auguste Renoir threw their support behind the new exhibition and even Auguste Rodin displayed several works. Since its inception, works by artists such as Paul Cézanne, Henri Matisse, Paul Gauguin, Georges Rouault, André Derain, Albert Marquet, Jean Metzinger, Albert Gleizes and Marcel Duchamp have been shown. In addition to the 1903 inaugural exhibition, three other dates remain historically significant for the Salon d'Automne: 1905 bore witness to the birth of Fauvism; 1910 witnessed the launch of Cubism; and 1912 resulted in a xenophobic and anti-modernist quarrel in the National Assembly (France).
The Monument à la République (French pronunciation: [mɔnymɑ̃ a la ʁepyblik]), also called Statue de la République ([staty də la ʁepyblik]), is a Monumental sculpture, made by the sculptor Léopold Morice. Inaugurated in 1883 on the Place de la République in Paris, it represents Marianne, an allegory of the republic.
Simon Vouet (French pronunciation: [simɔ̃ vwɛ]; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Cardinal Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
A major international exhibition of Vouet's work is planned for 2027, co-organized by the Musée du Petit Palais in Paris and the Legion of Honor museum in San Francisco.
Hélène Bertaux (French pronunciation: [elɛn bɛʁto] ), born Joséphine Charlotte Hélène Pilate (4 July 1825 – 20 April 1909) was a French sculptor and women's rights advocate.
The Grand Palais des Champs-Élysées (French pronunciation: [ɡʁɑ̃ palɛ de ʃɑ̃z‿elize]; English: Great Palace of the Champs-Élysées), commonly known as the Grand Palais, is a historic site, exhibition hall and museum complex located in the 8th arrondissement of Paris between the Champs-Élysées and the Seine, France on Avenue Winston-Churchill. Construction of the Grand Palais began in 1897 following the demolition of the Palais de l'Industrie (Palace of Industry) to prepare for the Universal Exposition of 1900. That exposition also produced the adjacent Petit Palais and Pont Alexandre III.
The building was designed to be a large-scale venue for official artistic events. A pediment on the building refers to this function with an inscription that reads, "a monument dedicated by the Republic to the glory of French art." Designed according to Beaux-Arts tastes, the building features ornate stone facades, glass vaults and period innovations that included iron and light steel framing and reinforced concrete.