Peter Lorre in the context of "The Raven (1963 film)"

Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.

M is a 1931 German mystery thriller film directed by Fritz Lang and starring Peter Lorre as Hans Beckert, a serial killer who targets children, in his third screen role. Both Lang's first sound film and an early example of a procedural drama, M centres on the efforts of both a city's police force and its criminal syndicates to apprehend a serial child-murderer.

The film's screenplay was written by Lang and his wife Thea von Harbou. It features many cinematic innovations, including the use of long tracking shots and a musical leitmotif in the form of "In the Hall of the Mountain King", which is repeatedly whistled by Lorre's character. Lang regarded the film as his magnum opus, and it is widely considered one of the greatest films of all time and an indispensable influence on modern crime and thriller fiction.

The Man Who Knew Too Much is a 1934 British spy thriller film directed by Alfred Hitchcock for Gaumont British. Starring Leslie Banks and Peter Lorre, it was one of the most successful and critically acclaimed films of Hitchcock's British period.

Hitchcock remade the film in 1956, with James Stewart and Doris Day in leading roles. The two films are very similar in tone and plot, with significant modifications. In the book-length interview Hitchcock/Truffaut (1967), in response to filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied, "Let's say the first version is the work of a talented amateur and the second was made by a professional." However, some critics have concluded that Hitchcock's statement should not be taken at face value.