Personifications of death in the context of "Triumphs"

The Four Horsemen of the Apocalypse are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos, and generally regarded as dating from about AD 95. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written centuries prior. Though the text only provides a name for the fourth horseman, subsequent commentary often identifies them as personifications of Conquest, War, Famine, and Death.

Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.

Personification is the representation of a thing or abstraction as a person. In the arts, many things are commonly personified, including: places, especially cities, countries, and continents; elements of the natural world, such as trees, the four seasons, the "four elements", the four cardinal winds, and the five senses; moral abstractions, especially the four cardinal virtues and seven deadly sins; the nine Muses; and death.

In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman religion, this was perhaps especially strong, in particular among the minor deities. Many such deities, such as the tyches or tutelary deities for major cities, survived the arrival of Christianity, now as symbolic personifications stripped of religious significance. An exception was the winged goddess of victory, Victoria/Nike, who developed into the visualisation of the Christian angel.

The Danse Macabre (/dɑːns məˈkɑːb(rə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.

The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. It was produced as memento mori, to remind people of the fragility of their lives and the vanity of earthly glory. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme (apart from 14th century Triumph of Death paintings) was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Written in 1874 by the French composer Camille Saint-Saëns, Danse Macabre, Op. 40, is a haunting symphonic "poem" for orchestra. It premiered 24 January 1875.

The miasma theory (also called the miasmic theory) is an abandoned medical theory that held that diseases—such as cholera, chlamydia, or plague—were caused by a miasma (μίασμα, Ancient Greek for pollution), a noxious form of "bad air", also known as night air. The theory held that epidemics were caused by miasma, emanating from rotting organic matter. Though miasma theory is typically associated with the spread of contagious diseases, some academics in the early 19th century suggested that the theory extended to other conditions, as well, e.g. one could become obese by inhaling the odor of food.

The miasma theory was advanced by Hippocrates in the fifth century BC and accepted from ancient times in Europe and China. The theory was eventually abandoned by scientists and physicians after 1880, replaced by the germ theory of disease; specific germs, not miasma, caused specific diseases. However, cultural beliefs about getting rid of odor made the clean-up of waste a high priority for cities. It also encouraged the construction of well-ventilated hospital facilities, schools, and other buildings.

In Greek mythology, Thanatos (UK: /ˈθænətɒs/; Ancient Greek: Θᾰ́νᾰτος, Thánatos, pronounced in Ancient Greek: [tʰánatos] "Death", from θνῄσκω thnēskō "(I) die, am dying") was the personification of death. He was a minor figure in Greek mythology, often referred to but rarely appearing in person.

His name is transliterated in Latin as Thanatus, but his counterpart in Roman mythology is Mors or Letum.

Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings. The image is infused with complex iconography and symbolism, the precise meaning of which has been argued over for centuries.

A stolid armoured knight on a proud horse, accompanied by his faithful dog, rides through a wild narrow gorge flanked by a goat-headed devil and the figure of death riding a pale horse. Death's rotting corpse holds an hourglass, a reminder of the shortness of life. The rider moves through the scene looking away from the creatures lurking around him, and appears almost contemptuous of the threats, and is thus often seen as symbol of courage; the knight's armour, the horse which towers in size over the beasts, and the oak leaves are symbolic of the resilience of faith, while the knight's plight may represent Christians' earthly journey towards the Kingdom of Heaven symbolized by the city on the hill.

Gwendolyne Maxine "Gwen" Stacy is a character appearing in American comic books published by Marvel Comics, usually as a supporting character in those featuring Spider-Man (Peter Parker). A college student and the daughter of George and Helen Stacy, Gwen was the first romantic interest for Peter following his high school graduation before she was murdered by the Green Goblin (Norman Osborn). Her death has haunted Peter ever since, and stories published long afterwards indicate she still holds a special place in his heart.

Gwen was posthumously subjected to numerous cloning experiments by her former professor Miles Warren, Peter's clone Ben Reilly, and an A.I. of Harry Osborn, the latter resulting in the creation of the Kindreds, and Ben briefly resurrecting Gwen in "Dead No More: The Clone Conspiracy" (2016–2017), with the embodiment of Death herself confirming in Ben Reilly: The Scarlet Spider (2017–2018) that all clones Ben created of deceased people had their souls intact on being brought back, while clones of living people (like Ben himself) had unique souls of their own. A flashback solo miniseries, Gwen Stacy: Beyond Amazing (2020–2024), was written by Christos Gage. In The All-New, All-Deadly Gwenpool (2025), she is again resurrected with Weapon X-like abilities under the designation X-31, teaming up with Peter, isekai protagonist Gwen Poole, and archer Kate Bishop against "The Great Architect". In the alternate universes of Ultimate Marvel, Spider-Gwen, and Ultimate Spider-Man, a still-living Gwen becomes their respective realities' versions of Carnage, Spider-Woman, and Mysterio.