Persianization in the context of "Iranian realm"

Hindustani is an Indo-Aryan language spoken in North India and Pakistan as the lingua franca of the region. It is also spoken by the Deccani-speaking community in the Deccan Plateau. Hindustani is a pluricentric language with two standard registers, known as Hindi (Prakritised and Sanskritised register written in the Brahmic script) and Urdu (Persianised and Arabised register written in the Perso-Arabic script) which serve as official languages of India and Pakistan, respectively. Thus, it is also called Hindi–Urdu. Colloquial registers of the language fall on a spectrum between these standards.

The concept of a Hindustani language as a "unifying language" or "fusion language" that could transcend communal and religious divisions across the subcontinent was endorsed by Mahatma Gandhi, as it was not seen to be associated with either the Hindu or Muslim communities as was the case with Hindi and Urdu respectively, and it was also considered a simpler language for people to learn. The conversion from Hindi to Urdu (or vice versa) is generally achieved by merely transliterating between the two scripts. Translation, on the other hand, is generally only required for religious and literary texts.

Persian art or Iranian art (Persian: هنر ایرانی, romanized: Honar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.

From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even when rulership separated. The courts of successive dynasties have generally led the style of Persian art, and court-sponsored art has left many of the most impressive survivals.

Indo-Persian culture refers to a cultural synthesis present on the Indian subcontinent. It is characterised by the absorption or integration of Persian aspects into the various cultures of modern-day republics of Bangladesh, India, and Pakistan. The earliest introduction of Persian influence and culture to the subcontinent was by various Muslim Turko-Persian rulers, such as the 11th-century Sultan Mahmud Ghaznavi, rapidly pushed for the heavy Persianization of conquered territories in northwestern Indian subcontinent, where Islamic influence was also firmly established. This socio-cultural synthesis arose steadily through the Delhi Sultanate from the 13th to 16th centuries, and the Mughal Empire from then onwards until the 19th century. Various dynasties of Turkic, Iranian and local Indian origin patronized the Persian language and contributed to the development of a Persian culture in India. The Delhi Sultanate developed their own cultural and political identity which built upon Persian and Indic languages, literature and arts, which formed the basis of an Indo-Muslim civilization.

Persian was the official language of most Muslim dynasties in the Indian subcontinent, such as the Delhi Sultanate, the Kashmir Sultanate, the Bengal Sultanate, the Mughal Empire and their successor states, and the Sikh Empire. It was also the dominant cultured language of poetry and literature. Many of the Sultans and nobility in the Sultanate period were Persianised Turks from Central Asia who spoke Turkic languages as their mother tongues. The Mughals were also culturally Persianised Central Asians (of Turko-Mongol origin on their paternal side), but spoke Chagatai Turkic as their first language at the beginning, before eventually adopting Persian. Persian became the preferred language of the Muslim elite of northern India. Muzaffar Alam, a noted scholar of Mughal and Indo-Persian history, suggests that Persian became the official lingua franca of the Mughal Empire under Akbar for various political and social factors due to its non-sectarian and fluid nature. The influence of these languages led to a vernacular called Hindustani that is the direct ancestor language of today's Hindi–Urdu varieties.

The Assyrian diaspora (Syriac: ܓܠܘܬܐ, Galuta, "exile") refers to ethnic Assyrians living in communities outside their ancestral homeland. The Eastern Aramaic-speaking Assyrians claim descent from the ancient Assyrians and are one of the few ancient Semitic ethnicities in the Near East who resisted Arabization, Turkification, Persianization and Islamization during and after the Muslim conquest of Iraq, Iran, Syria and Turkey.

The indigenous Assyrian homeland is within the borders of northern Iraq, southeastern Turkey, northwestern Iran, and northeastern Syria, a region roughly corresponding with Assyria from the 25th century BC to the 7th century AD. Assyrians are predominantly Christians; most are members of the Assyrian Church of the East, the Ancient Church of the East, the Chaldean Catholic Church, the Syriac Orthodox Church, the Syriac Catholic Church, the Assyrian Pentecostal Church and the Assyrian Evangelical Church. The terms "Syriac", "Chaldean" and "Chaldo-Assyrian" can be used to describe ethnic Assyrians by their religious affiliation, and indeed the terms "Syriac" and "Syrian" are much later derivatives of the original "Assyrian", and historically, geographically and ethnically originally meant Assyrian (see Name of Syria).

Abu al-Qasim Mahmud ibn Sabuktigin (Persian: ابوالقاسم محمود بن سبکتگین, romanized: Abu al-Qāṣim Maḥmūd ibn Sabuktigīn; 2 October 971 – 30 April 1030), usually known as Mahmud of Ghazni or Mahmud Ghaznavi (محمود غزنوی), was Sultan of the Ghaznavid Empire, ruling from 998 to 1030. During his reign and in medieval sources, he is usually known by his honorific title Yamin al-Dawla (یمین‌ الدوله, lit. 'Right Hand of the State'). At the time of his death, his kingdom had been transformed into an extensive military empire, which extended from present-day northwestern Iran proper to the Punjab in the Indian subcontinent, Khwarazm in Transoxiana, and Makran.

Highly Persianized, Mahmud continued the bureaucratic, political, and cultural customs of his predecessors, the Samanids. He established the ground for a future Persianate state in Punjab, particularly centered on Lahore, a city he conquered. His capital of Ghazni evolved into a significant cultural, commercial, and intellectual centre in the Islamic world, almost rivalling the important city of Baghdad. The capital appealed to many prominent figures, such as al-Biruni and Ferdowsi.