Persian traditional music in the context of "Iranian music"

A setar (Persian: سه‌تار, pronounced [seˈt̪ʰɒːɾ]) (lit: "Three Strings") is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by Mushtaq Ali Shah by the mid 19th century. It is played with the index finger of the right hand.

It has been speculated that the setar originated in Persia by the 9th century AD A more conservative estimate says "it originated in the 15th century, or even earlier."

The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument.

Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Balkan folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Spanish folk music, Persian music, samba, gospel music, pop music, country music, and rock music.

The chang (Persian: چنگ; Persian pronunciation: [tʃæŋɡ]; Turkish: çeng; Arabic: جَنْك al-ǧank or صَنْج ṣanǧ; Georgian: ჩანგი changi) is a Persian musical instrument, a vertical angular harp. It was very popular and used widely during the times of ancient Persia, especially during the Sasanian Dynasty where it was often played in the shahs' court. It was also played until the 19th century in the Ottoman Empire but has since disappeared from Turkish folk music.

A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.

Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament, was made by 19th-century music theorists Heinrich Richter in 1823 and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Thomas Heberer Ljubica Marić, Charles Ives, Tristan Murail, Krzysztof Penderecki, Giacinto Scelsi, Ammar El Sherei, Karlheinz Stockhausen, Tui St. George Tucker, Ivan Wyschnegradsky, Iannis Xenakis, and Seppe Gebruers (See List of quarter tone pieces.)

Romani music is the music of the Romani people.In the English language, Romani people have long been known by the exonym Gypsies or Gipsies and this remains the most common English term for the group. Some Roma use and embrace this term while others consider it to be derogatory or an ethnic slur.

Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen in Europe. In many of the places Romani live they have become known as musicians. The wide distances travelled have introduced elements from Indian, Persian, Armenian, Turkish, Balkan, German and French music.