People's Artist of the USSR in the context of "The Bolshoi Ballet Academy"

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👉 People's Artist of the USSR in the context of The Bolshoi Ballet Academy

The Moscow State Academy of Choreography (Russian: Московская государственная академия хореографии), commonly known as The Bolshoi Ballet Academy, is one of the oldest and most prestigious schools of ballet in the world, located in Moscow, Russia. It is the affiliate school of the Bolshoi Ballet. Founded on December 23, 1773 as the second ballet school in Russia, it entered into a contract with the Italian teacher-choreographer Filippo Becari, who must was “the most capable of dancing” children to learn “to dance with all possible precision and to show themselves publicly in all pantomime ballets”.

The Bolshoi Ballet receives the majority of its dancers from the academy, as do most other Moscow ballet companies. Numerous choreographers, instructors and graduates of the academy have become renowned, including Olga Lepeshinskaya, Raisa Struchkova, Natalia Bessmertnova, Ekaterina Maximova, Maya Plisetskaya, Nikolai Fadeyechev, Vladimir Vasiliev, Mikhail Lavrovsky, Nikolay Tsiskaridze, to be bestowed a People's Artist of the USSR, "prima ballerina assoluta" and "premier dancer", the ultimate title for a ballet performer of the Soviet Union.

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People's Artist of the USSR in the context of Vasily Lanovoy

Vasily Semyonovich Lanovoy (16 January 1934 – 28 January 2021) was a Soviet and Russian actor who worked in the Vakhtangov Theatre, Moscow. He was also known as the President of Artek Festival of Films for Children. Lanovoy's honours include the KGB Prize, the Lenin Prize, and the title of People's Artist of the USSR. In 2019, he received the title of Hero of Labour of the Russian Federation.

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People's Artist of the USSR in the context of Vsevolod Pudovkin

Vsevolod Illarionovich Pudovkin (Russian: Всеволод Илларионович Пудовкин, IPA: [ˈfsʲevələt ɪl(ː)ərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn]; 28 February 1893 – 30 June 1953) was a Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein; Eisenstein utilized montage to glorify the power of the masses, while Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.

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