Pendant in the context of "Victoria and Albert Museum"

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⭐ Core Definition: Pendant

A pendant is a loose-hanging piece of jewellery, generally attached by a small loop to a necklace, which may be known as a "pendant necklace". A pendant earring is an earring with a piece hanging down. Its name stems from the Latin word pendere and Old French word pendr, both of which translate to "to hang down". In modern French, pendant is the gerund form of pendre ("to hang") and also means "during". The extent to which the design of a pendant can be incorporated into an overall necklace makes it not always accurate to treat them as separate items.

In some cases, though, the separation between necklace and pendant is far clearer.

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Pendant in the context of Jewellery

Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a Western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries, metals such as gold and silver, often combined with gemstones, has been the normal material for jewellery. Other materials such as glass, shells, or wood may also be used.

Jewellery is one of the oldest types of archaeological artefact – with 100,000-year-old beads made from Nassarius shells thought to be the oldest known jewellery. The basic forms of jewellery vary between cultures but are often extremely long-lived; in European cultures the most common forms of jewellery listed above have persisted since ancient times, while other forms such as adornments for the nose or ankle, important in other cultures, are much less common.

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Pendant in the context of Triptych

A triptych (/ˈtrɪptɪk/ TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.

Beyond its usual meaning in the visual arts, the term is sometimes used as a title or descriptive term in other arts media such as music or the performing arts for works with three parts.

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Pendant in the context of Cross necklace

A cross necklace is any necklace featuring a Christian cross or crucifix as its pendant.

Crosses are often worn as an indication of commitment to the Christian faith, and are sometimes received as gifts for rites such as baptism and confirmation. Communicants of the Oriental Orthodox and Eastern Orthodox churches are expected to wear their baptismal cross necklaces at all times.

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Pendant in the context of Charm bracelet

A charm bracelet is a type of bracelet which carries personal jewelled ornaments or "charms", such as decorative pendants or trinkets. The decorative charms usually carry personal or sentimental attachment by the owner.

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Pendant in the context of Pendilia

Pendilia (singular pendilium; from Latin pendulus, hanging) or pendoulia (the Greek equivalent), are pendants or dangling ornaments hanging from a piece of metalwork such as a crown, votive crown, crux gemmata, or kamelaukion, and are a feature of Early Medieval goldsmith work. On crosses the pendilia may include the letters alpha and omega, and on votive offerings, which were often designed to be hung over altars and where pendilia are at their largest and most spectacular, they may spell out whole words (see illustration).

The term is commonly used in coin collecting. Pendilia are depicted on coins as jewels or pearls hanging from the sides of the crown, and occur frequently on coins of Byzantine emperors. The pendilia which hung from the Emperors' crowns began with Marcian. Although the years saw the styles of crown change, the pendilia remained, at least through Manuel II Palaiologos. Surviving crowns with pendilia include the Holy Crown of Hungary and many votive crowns of the Treasure of Guarrazar from Visigothic Spain.

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Pendant in the context of Jewellery chain

Jewellery chains, jewelry chains or body chains are metal chains that are used in jewellery to encircle parts of the body, namely the neck, wrists and ankles, and they also serve as points to hang decorative charms and pendants.

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Pendant in the context of Locket

A locket is a pendant that opens to reveal a space used for storing a photograph or other small item such as a lock of hair. Lockets are usually given to loved ones on holidays such as Valentine's Day and occasions such as christenings, weddings and, most noticeably during the Victorian Age, funerals. Historically, they often opened to reveal a portrait miniature.

Lockets are generally worn on chains around the neck and often hold a photo of the person who gave the locket, or they could form part of a charm bracelet. They come in many shapes such as ovals, hearts, prisms and circles and are usually made of precious metals such as gold or silver befitting their status as decorative jewellery.

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Pendant in the context of Mjölnir

Mjölnir (UK: /ˈmjɒlnɪər/ MYOL-neer, US: /ˈmjɔːlnɪər/ MYAWL-neer; from Old Norse Mjǫllnir [ˈmjɔlːnir]) is the hammer of the thunder god Thor in Norse mythology, used both as a devastating weapon and as a divine instrument to provide blessings. The hammer is attested in numerous sources, including the 11th century runic Kvinneby amulet, the Poetic Edda, a collection of eddic poetry compiled in the 13th century, and the Prose Edda, a collection of prose and poetry compiled in the 13th century. The hammer was commonly worn as a pendant during the Viking Age in the Scandinavian cultural sphere, and Thor and his hammer occur depicted on a variety of objects from the archaeological record. Today the symbol appears in a wide variety of media and is again worn as a pendant by various groups, including adherents of modern Heathenry.

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