A pavillon de chasse (French: [pavijɔ̃ d(ə) ʃas]; "hunting pavilion") in France is a building dedicated to venery. They are built in areas where hunts take place regularly. The history of pavillons de chasse is a part of the history of venery and hunting with hounds and its role in terms of leisure purposes or summit meetings, and more broadly in the stewardship of the hunt. They are sometimes referred to as rendez-vous de chasse.
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👉 Pavillon de chasse in the context of Musée Marmottan Monet
The Musée Marmottan Monet (French pronunciation: [myze maʁmɔtɑ̃ mɔnɛ]; English: Marmottan Monet Museum) is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and post-Impressionist paintings by Monet, including his 1872 Impression, Sunrise. A number of Impressionist works by other painters are also displayed; the museum hosts the largest Berthe Morisot public collection in the world.
The museum finds its origin in the 1932 donation by art historian Paul Marmottan of his father's pavillon de chasse, that he transformed into an hôtel particulier and which now houses the museum, to the Académie des Beaux-Arts, along with a sizeable family collection from the Renaissance and the Napoleonic era. The museum opened in 1934; its fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
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Pavillon de chasse in the context of Château de Chambord
The Château de Chambord (French pronunciation: [ʃɑto d(ə) ʃɑ̃bɔʁ]) in Chambord, Centre-Val de Loire, France, is one of the most recognisable châteaux in the world because of its very distinctive French Renaissance architecture, which blends traditional French medieval forms with classical Renaissance structures. The building was commissioned by king Francis I of France and built between 1519 and 1547.
Chambord is the largest château in the Loire Valley; it was built to serve as a hunting lodge for Francis I, who maintained his royal residences at the Château de Blois and Amboise. The original design of the château is attributed to the Tuscan architect Domenico da Cortona; Leonardo da Vinci may have also influenced the design.