Paus family in the context of "Banking"

Henrik Johan Ibsen (/ˈɪbsən/; Norwegian: [ˈhɛ̀nrɪk ˈɪ̀psn̩]; 20 March 1828 – 23 May 1906) was a Norwegian playwright. He is considered one of the world's pre-eminent writers of the 19th century and is often referred to as "the father of modern drama." He pioneered theatrical realism but also wrote lyrical epic works. His major works include Brand, Peer Gynt, Emperor and Galilean, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, Hedda Gabler, The Master Builder, and When We Dead Awaken. Ibsen is the most frequently performed dramatist in the world after Shakespeare. Store norske leksikon describes him as "the center of the Norwegian literary canon."

Ibsen was born into the merchant elite of the port town of Skien and had strong family ties to the Paus family and other families who had held power and wealth in Telemark since the mid-1500s. He established himself as a theater director in Norway during the 1850s and gained international recognition as a playwright with the plays Brand and Peer Gynt in the 1860s. From 1864, he lived for 27 years in Italy and Germany, primarily in Rome, Dresden, and Munich, making only brief visits to Norway, before moving to Christiania (Oslo) in 1891. Most of Ibsen's plays are set in Norway, often in bourgeois environments and places reminiscent of Skien, and he frequently drew inspiration from family members. Ibsen's early verse play Peer Gynt has strong surreal elements. After Peer Gynt Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the façades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. Critics frequently rate The Wild Duck and Rosmersholm as Ibsen's best works; the playwright himself regarded Emperor and Galilean as his masterpiece.

The Wild Duck (original Norwegian title: Vildanden) is an 1884 play by the Norwegian playwright Henrik Ibsen. It explores the complexities of truth and illusion through the story of a family torn apart by secrets and the intrusion of an idealistic outsider. It focuses on the Ekdal family, whose fragile peace is shattered by Gregers Werle, an idealist who insists on exposing hidden truths, leading to tragic consequences. The play was written in a realistic style, but literary scholars have pointed out the play's kinship with symbolism. It blends themes such as deception, betrayal, and the disillusionment of modern life with moments of comedy and satire, and is considered the first modern masterpiece in the genre of tragicomedy. The Wild Duck and Rosmersholm are "often to be observed in the critics' estimates vying with each other as rivals for the top place among Ibsen's works".

Themes of visibility and recognition permeate the narrative, featuring characters struggling to be seen while metaphorically and literally blind to each other's true selves, symbolized through motifs such as blindness, photography, and the wounded wild duck. Like other Ibsen plays, it is rich with references to Ibsen's family; "Old Ekdal" is a literary portrait of the playwright's father Knud Ibsen. The character "Gregers Werle" represents the spirit of the Paus family and Upper Telemark, a broader theme that is found in many of Ibsen's plays.

Rosmersholm (pronounced [ˈrɔ̀sməʂˌhɔɫm]) is an 1886 play written by Norwegian playwright Henrik Ibsen. It tells the story of Johannes Rosmer, an aristocratic former clergyman and owner of the Rosmersholm manor who is haunted by his wife's suicide and his own idealistic desires for societal reform, and Rebecca West, a strong-willed companion who challenges his convictions, leading to a deep exploration of morality, political activism, and the struggle for personal and social change amidst a backdrop of intense personal and political turmoil. Rosmersholm has been described as one of Ibsen's darkest, most complex, subtle, beautiful, mystical, multilayered and ambiguous plays. The play explores the tension between old and new, between liberation and servitude, between narratives, action or inaction, and of "what to do with ourselves when the world collapses around us." Rosmersholm and The Wild Duck are "often to be observed in the critics' estimates vying with each other as rivals for the top place among Ibsen's works."

Ibsen scholar Jon Nygaard writes that the loss of joy of life is an underlying theme of several of Ibsen's plays, including Rosmersholm, in which "the spirit of the dead and the aristocracy of officials [lingers heavily] over the manor [and] the Rosmerian view of life ennobles man – but it kills happiness". A key theme in Rosmersholm and other plays was, according to Nygaard, "the joy of life that was lost – and the new Puritan Civil Servant State that was coming. It was the spirit of civil servants from Upper Telemark, the Paus family."

Knud Plesner Ibsen (3 October 1797, in Skien – 24 October 1877, in Skien) was a Norwegian merchant from the city of Skien and the father of the playwright Henrik Ibsen. He is widely considered the model for many central characters in his son's plays, including Jon Gynt in Peer Gynt and Old Ekdahl in The Wild Duck. Through the Paus family—the family of Knud's stepfather Ole Paus and Marichen's mother Hedevig—Knud was raised as a close relative of his would-be wife Marichen Altenburg, although they were not closely related biologically.

Ole Paus (1947–2023) was a Norwegian singer-songwriter and poet, widely regarded as one of the most innovative Norwegian musical figures of the 20th century and "Norway's most significant troubadour at the time of his death." Emerging during the Norwegian ballad revival (Norwegian: visebølgen), Paus was instrumental in defining the genre's direction. Over a career spanning five decades, he released around 40 albums, authored novels, poetry collections, and travelogues. His works spanned from protest songs and satirical ballads to deeply reflective hymns and love songs. He was seen as not merely a musician but a cultural provocateur, using song as a vehicle for political and philosophical exploration. Paus was known for his distinctive individualism, social criticism, and rebellious stance, standing "fearlessly up for the weakest against the powers that be." Often called Norway's "national troubadour," his song "Mitt lille land" became a unifying anthem after the 2011 Norway attacks.

Born in Oslo into an aristocratic family with close ties to Henrik Ibsen, Paus grew up as the son of a general in a sometimes dysfunctional family marked by loss, anxiety, upheaval, and emotional distance. After his mother's early death he was raised by his grandmother Ella, who had come to Norway as a Jewish refugee from Vienna in 1938. In 1967, he started performing as a singer-songwriter in Oslo, a profession that "did not exist at the time," and was discovered in 1969 by Alf Prøysen and Alf Cranner.

Marichen Cornelia Martine Altenburg (24 April 1799 – 3 June 1869) was the mother of the Norwegian playwright Henrik Ibsen and is known as the model for several characters in some of Ibsen's most famous plays, including Åse in Peer Gynt. Through the Paus family—the family of Marichen's mother Hedevig and Knud's stepfather Ole Paus—Marichen was raised as a close relative of her would-be husband Knud Ibsen, although they were not closely related biologically.