Paulette Goddard in the context of "Modern Times (film)"

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👉 Paulette Goddard in the context of Modern Times (film)

Modern Times is a 1936 American part-talkie satirical slapstick comedy film produced, written and directed by Charlie Chaplin. In Chaplin's last performance as the iconic Little Tramp, his character struggles to survive in the modern, industrialized world. The film also stars Paulette Goddard, Henry Bergman, Tiny Sandford and Chester Conklin.

Modern Times has won many awards and honors, and is widely considered one of the greatest films ever. It was one of the first 25 films selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".

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Paulette Goddard in the context of A Countess from Hong Kong

A Countess from Hong Kong is a 1967 British romantic comedy film scored, written, and directed by Charlie Chaplin, and the final film directed, written, produced and scored by him. It was based on the life of a former Russian aristocrat, as he calls her in his 1922 book My Trip Abroad. She was a Russian singer and dancer who "was a stateless person marooned in France without a passport." The film starred Marlon Brando and Sophia Loren, and revolved around an American diplomat who falls in love with a stowaway on a cruise. Sydney Chaplin (Chaplin's son), Tippi Hedren, Patrick Cargill and Margaret Rutherford co-star in major supporting roles; Chaplin also made a cameo, marking his final screen appearance. This is the first and only production of Chaplin's filmography to be in color.

The story is based loosely on Russian singer and dancer Moussia "Skaya" Sodskaya, whom Chaplin met in France in 1921. The film had been in development since the 1930s under the title Stowaway, as a vehicle for Chaplin's then wife Paulette Goddard. However, following their divorce in 1942 and subsequent events in his life, Chaplin continued working on it until it was ready for production in the mid-1960s. It was ultimately his only film in colour, and one of two films Chaplin directed in which he did not play a major role (the other being 1923's A Woman of Paris).

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