Patronage in ancient Rome in the context of "Pompey's eastern settlement"

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⭐ Core Definition: Patronage in ancient Rome

Patronage (clientela) was the distinctive relationship in ancient Roman society between the patronus ('patron') and their cliens ('client'). Apart from the patron-client relationship between individuals, there were also client kingdoms and tribes, whose rulers were in a subordinate relationship to the Roman state.

The relationship was hierarchical, but obligations were mutual. The patron was the protector, sponsor, and benefactor of the client; the technical term for this protection was patrocinium. Although typically the client was of inferior social class, a patron and client might even hold the same social rank, but the former would possess greater wealth, power, or prestige that enabled him to help or do favors for the client.

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Patronage in ancient Rome in the context of Lucretius

Titus Lucretius Carus (/ˈttəs lˈkrʃəs/ TY-təs loo-KREE-shəs; Latin: [ˈtitus luˈkreːti.us ˈkaːrus]; c. 99 – October 15, 55 BC) was a Roman poet and philosopher. His only known work is the philosophical poem De rerum natura, a didactic work about the tenets and philosophy of Epicureanism, which usually is translated into English as On the Nature of Things—and somewhat less often as On the Nature of the Universe. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. De rerum natura was a considerable influence on the Augustan poets, particularly Virgil (in his Aeneid and Georgics, and to a lesser extent on the Eclogues) and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini. It played an important role both in the development of atomism (Lucretius was an important influence on Pierre Gassendi) and the efforts of various figures of the Enlightenment era to construct a new Christian humanism.

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Patronage in ancient Rome in the context of Ambitus

In ancient Roman law, ambitus was a crime of political corruption, mainly a candidate's attempt to influence the outcome (or direction) of an election through bribery or other forms of soft power. The Latin word ambitus is the origin of the English word "ambition" which is another of its original meanings; ambitus was the process of "going around and commending oneself or one's protégés to the people," an activity liable to unethical excesses. In practice, bringing a charge of ambitus against a public figure became a favored tactic for undermining a political opponent.

The Lex Baebia was the first law criminalizing electoral bribery, instituted by M. Baebius Tamphilus during his consulship in 181 BC. The passage of Rome's first sumptuary law the previous year suggests that the two forms of legislation are related; both were aimed at curbing wealth-based inequities of power and status within the governing classes. The temptation to indulge in bribery indicates that the traditional patron-client relationship was insufficient to gather enough votes to win election.

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Patronage in ancient Rome in the context of Odoacer

Odoacer (c. 433 – 15 March 493 AD), also spelled Odovacer or Odovacar, was a barbarian soldier and statesman from the Middle Danube who was an officer of the Roman army and deposed the Western Roman child emperor Romulus Augustulus to become the ruler of Italy (476–493). Odoacer's overthrow of Romulus Augustulus is traditionally understood as marking the end of the Western Roman Empire.

Although he ruled Italy, Odoacer styled himself a client of the Eastern emperor Zeno in Constantinople. He was addressed not only as Latin: rex but also as dux and patrician, the latter title granted by Zeno. In the sole surviving document from his chancery—and by the consul BasiliusOdoacer used the title of king. Backed by the Roman Senate, he distributed land with little resistance. Soldier unrest in 477–478 caused violence, but his later reign was stable. Though an Arian, he seldom interfered in the Trinitarian state church.

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Patronage in ancient Rome in the context of Patron of the arts

Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, art patronage refers to the support that princes, popes, and other wealthy and influential people have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word patron derives from the Latin patronus ('patron'), one who gives benefits to his clients (see patronage in ancient Rome).

In some countries, the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the prime minister appointing senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the political party of the prime minister. The term is also used to refer to a type of corruption or favoritism in which a party in power rewards groups, families, or ethnicities for their electoral support illegally using gifts, appointments to positions, or government contracts.

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Patronage in ancient Rome in the context of Compluvium

Cavaedium or atrium are Latin names for the principal room of an ancient Roman house, which usually had a central opening in the roof (compluvium) and a rainwater pool (impluvium) beneath it. The cavaedium passively collected, filtered, stored, and cooled rainwater. It also daylit, passively cooled and passively ventilated the house.

The atrium was the most important room of the ancient Roman house. The main entrance led into it; patrones received their clientes there, and marriages, funerals, and other ceremonies were conducted there. In earlier and more modest homes, the atrium was the common room used for most household activities; in richer homes, it became mainly a reception room, with private life moving deeper into the (larger) house. The atrium was generally the most elaborate room, with the finest finishings, wall paintings, and furnishings.

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Patronage in ancient Rome in the context of Early life of Cleopatra

The early life of Cleopatra VII covers the period from Cleopatra's birth in early 69 BC to her accession to the throne during or before March 51 BC. Cleopatra was born to the reigning pharaoh of Ptolemaic Egypt, Ptolemy XII Auletes; the identity of her mother is disputed and is presumed to have been Cleopatra V or Cleopatra VI, who may have been the same person. During her early childhood, Cleopatra was brought up in the palace of Alexandria in Egypt and received a primarily Hellenistic Greek education. By adulthood she was well-versed in many languages, including Egyptian, Ethiopian, Hebrew, Arabic, Median, Parthian, Latin, and her native Koine Greek.

Cleopatra's father was a client ruler of the Roman Republic. When the Romans annexed Cyprus and Ptolemy XII's brother Ptolemy of Cyprus chose to commit suicide rather than go into exile, Ptolemy XII became unpopular with the masses in Egypt for offering no public reaction to the events. He and a daughter, ostensibly Cleopatra and not Arsinoe IV, were exiled from Egypt during a revolt. This allowed Cleopatra's older sister Berenice IV to claim the throne in 58 BC, ruling jointly with Cleopatra VI. Ptolemy XII and Cleopatra traveled to Roman Italy, staying outside Rome at the villa of their Roman patron, Pompey the Great. After Ptolemy XII orchestrated the assassinations of Berenice IV's diplomats in Rome, seeking to gain Roman favor, he and Cleopatra left the city's hostile environment and settled at Ephesus in Anatolia.

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Patronage in ancient Rome in the context of Patria potestas

The pater familias, also written as paterfamilias (pl.: patres familias), was the head of a Roman family. The pater familias was the oldest living male in a household, and could legally exercise autocratic authority over his extended family. The term is Latin for "father of the family" or the "owner of the family estate". The form is archaic in Latin, preserving the old genitive ending in -ās (see Latin declension), whereas in classical Latin the normal first declension genitive singular ending was -ae. The pater familias always had to be a Roman citizen.

Roman law and tradition (mos majorum) established the power of the pater familias within the community of his own extended familia. In Roman family law, the term "Patria potestas" (Latin: “power of a father”) refers to this concept. He held legal privilege over the property of the familia, and varying levels of authority over his dependents: these included his wife and children, certain other relatives through blood or adoption, clients, freedmen and slaves. The same mos majorum moderated his authority and determined his responsibilities to his own familia and to the broader community. He had a duty to father and raise healthy children as future citizens of Rome, to maintain the moral propriety and well-being of his household, to honour his clan and ancestral gods and to dutifully participate—and if possible, serve—in Rome's political, religious and social life. In effect, the pater familias was expected to be a good citizen. In theory at least, he held powers of life and death over every member of his extended familia through ancient right. In practice, the extreme form of this right was seldom exercised. It was eventually limited by law.

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