Parsons School of Design in the context of "Fashion design"

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⭐ Core Definition: Parsons School of Design

The Parsons School of Design is a private art and design college under The New School located in the Greenwich Village neighborhood of New York City. Founded in 1896 after a group of progressive artists broke away from established Manhattan art academies in protest of limited creative autonomy, Parsons is one of the oldest schools of art and design in New York.

Parsons was the first school to offer programs in fashion design, interior design, advertising, graphic design, transdisciplinary design, and lighting design. Parsons became the first American school to found a satellite school abroad when it established the Paris Ateliers in 1921. It remains the first and only private art and design school to affiliate with a private national research university, in 1970 when it became one of the divisions of The New School. Organized in five departments, the school offers undergraduate and graduate programs in a range of disciplines in art and design with students also able to combine additional classes and majors in other colleges of The New School.

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Parsons School of Design in the context of Art school

An art school is an educational institution with a primary focus on practice and related theory in the visual arts and design. This includes fine art – especially illustration, painting, contemporary art, sculpture, and graphic design. They may be independent or operate within a larger institution, such as a university. Some may be associated with an art museum.

Art schools can offer elementary, secondary, post-secondary, undergraduate or graduate programs, and can also offer a broad-based range of programs (such as the liberal arts and sciences). In the West there have been six major periods of art school curricula, and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills to many students.

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Parsons School of Design in the context of The New School

The New School is a private research university in New York City, New York, United States. It was founded in 1919 as The New School for Social Research with a mission dedicated to academic freedom and intellectual inquiry and a home for progressive thinkers. Since then, the school has grown to house four divisions. These include the Parsons School of Design, the Eugene Lang College of Liberal Arts, the College of Performing Arts (which includes the Mannes School of Music) and The New School for Social Research.

In addition, the university maintains the Parsons Paris campus and has also launched or housed a range of institutions, such as the Healthy Materials Lab, the Institute for Race, Power, and Political Economy, World Policy Institute, the Vera List Center for Art and Politics, the India China Institute, the Observatory on Latin America, and the Center for New York City Affairs. It is classified among "R2: Doctoral Universities – High research activity". Approximately 10,000 students are enrolled in undergraduate and postgraduate programs. Over 70 percent of students are in the creative areas of design, performing, and fine arts.

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Parsons School of Design in the context of Parsons Paris

Parsons Paris is a degree-granting school of art and design in the 1st arrondissement of Paris, France. It is the European branch campus of Parsons School of Design and part of The New School, a comprehensive university in New York City.

Despite its American accreditations (AICAD, NASAD, etc.), Parsons Paris has no academic (MESR) or professional (RNCP) recognition from the French government. It only has authorization to operate from the Rector of Paris.

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Parsons School of Design in the context of RYB color model

RYB (an abbreviation of red–yellow–blue) is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. Under traditional color theory, this set of primary colors was advocated by Moses Harris, Michel Eugène Chevreul, Johannes Itten and Josef Albers, and applied by countless artists and designers. The RYB color model underpinned the color curriculum of the Bauhaus, Ulm School of Design and numerous art and design schools that were influenced by the Bauhaus, including the IIT Institute of Design (founded as the New Bauhaus), Black Mountain College, Design Department Yale University, the Shillito Design School, Sydney, and Parsons School of Design, New York.

In this context, the term primary color refers to three exemplar colors (red, yellow, and blue) as opposed to specific pigments. As illustrated, in the RYB color model, red, yellow, and blue are intermixed to create secondary color segments of orange, green, and purple. This set of primary colors emerged at a time when access to a large range of pigments was limited by availability and cost, and it encouraged artists and designers to explore the many diverse colors through mixing and intermixing a limited range of pigment colors. In art and design education, gray, red, yellow, and blue pigments were usually augmented with white and black pigments, enabling the creation of a larger gamut of colors and details including tints and shades.

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Parsons School of Design in the context of Jasper Johns

Jasper Johns (born May 15, 1930) is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements.

Johns was born in Augusta, Georgia, and raised in South Carolina. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. His education was interrupted by military service during the Korean War. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. The two were also close collaborators, and Rauschenberg became a profound artistic influence.

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Parsons School of Design in the context of Joel Schumacher

Joel T. Schumacher (/ˈʃmɑːkər/; August 29, 1939 – June 22, 2020) was an American film director, producer and screenwriter. Raised in New York City by his mother, Schumacher graduated from Parsons School of Design and originally became a fashion designer. He first entered filmmaking as a production and costume designer before gaining writing credits on Car Wash, Sparkle, and The Wiz.

Schumacher received little attention for his first theatrically released films, The Incredible Shrinking Woman and D.C. Cab, but rose to prominence after directing St. Elmo's Fire, The Lost Boys, The Client and Falling Down. Schumacher was selected to replace Tim Burton as director of the Batman film franchise, and oversaw two of the series's most commercially oriented entries, Batman Forever (1995) and Batman & Robin (1997). The latter's failure foresaw a steep career decline, although Schumacher continued directing work on smaller-budget films, such as Tigerland and Phone Booth. In 2004, he directed The Phantom of the Opera, which was released to mixed reviews. His final directorial work was two episodes of House of Cards.

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