Contemporary art in the context of "Art school"

Paris is the capital and largest city of France, with an estimated city population of 2,048,472 in an area of 105.4 km (40.7 sq mi), and a metropolitan population of 13,171,056 as of January 2025. Located on the river Seine in the centre of the Île-de-France region, it is the largest metropolitan area and fourth-most populous city in the European Union (EU). Nicknamed the City of Light, partly because of its role in the Age of Enlightenment, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, fashion, and gastronomy since the 17th century.

Administratively, Paris is divided into twenty arrondissements (districts), each having their own cultural identity. Haussmann's renovation of Paris, which created new boulevards, parks, and public works, gave birth to a modern city known as the "capital of the 19th century". Paris is a major railway, motorway, and air-transport hub; in 2024 Charles de Gaulle Airport was the EU's busiest airport. Paris has one of the most sustainable transportation systems and is one of only two cities in the world that has received the Sustainable Transport Award twice. Its Art Nouveau-decorated Métro has become a symbol of the city. Paris is known for its museums and architectural landmarks: the Musée d'Orsay, Musée Marmottan Monet, and Musée de l'Orangerie are noted for their collections of French Impressionist art, while the Musée National d'Art Moderne, Musée Rodin, and Musée Picasso are noted for their collections of modern and contemporary art. Parts of the city along the Seine have been designated as a UNESCO World Heritage Site since 1991.

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art.

Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck revolutionized the Paris art world with "wild," multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's two versions of The Dance signified a key point in his career and the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

The Israel Museum (Hebrew: מוזיאון ישראל, romanized: Muze'on Yisrael, Arabic: متحف إسرائيل) is an art and archaeology museum in Jerusalem. It was established in 1965 as Israel's largest and foremost cultural institution, and an encyclopedic museum. It is situated on a hill in the Givat Ram neighborhood of Jerusalem, adjacent to the Bible Lands Museum, the National Campus for the Archaeology of Israel, the Knesset, the Israeli Supreme Court, and the Hebrew University of Jerusalem.

The Israel Museum houses a collection of approximately 500,000 items. Its holdings include the world's most comprehensive collections of the archaeology of the Holy Land, and Jewish art and life, as well as significant and extensive holdings in the fine arts, the latter encompassing eleven separate departments: Israeli Art, European Art, Modern Art, Contemporary Art, Prints and Drawings, Photography, Design and Architecture, Asian Art, African Art, Oceanian Art, and Arts of the Americas.

Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.

Feminist theory often focuses on analyzing gender inequality. Themes often explored in feminist theory include discrimination, objectification (especially sexual objectification), oppression, patriarchy, stereotyping, art history and contemporary art, and aesthetics.

Art-Language: The Journal of Conceptual Art (1969-1985) was a magazine published by the conceptual artists of Art & Language. Involving more than 20 artists in the United States, Europe, and Australia, and covering almost 20 years production, it is one of the most extensive artworks of conceptual art and is regarded as an important influence on both conceptual art and contemporary art.

The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like.

The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, to which churches and so religious statues are added by convention, although in some contexts monumental sculpture may specifically mean just funerary sculpture for church monuments.

A cursory glance at the history of modern and contemporary art in Iran, the social and political developments starting in the 1940s which radically altered the evolution of this country's visual arts.