Early Modern period in the context of "Ottoman Caliphate"

Forced labour, or unfree labour, is any work relation, especially in modern or early modern history, in which people are employed against their will with the threat of destitution, detention, or violence, including death or other forms of extreme hardship to either themselves or members of their families.

Unfree labour includes all forms of slavery, penal labour, and the corresponding institutions, such as debt slavery, serfdom, corvée and labour camps.

The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like.

The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, to which churches and so religious statues are added by convention, although in some contexts monumental sculpture may specifically mean just funerary sculpture for church monuments.

The Sun, as the source of energy and light for life on Earth, has been a central object in culture and religion since prehistory. Ritual solar worship has given rise to solar deities in theistic traditions throughout the world, and solar symbolism is ubiquitous. Apart from its immediate connection to light and warmth, the Sun is also important in timekeeping as the main indicator of the day and the year.

European folklore or Western folklore refers to the folklore of the Western world, especially when discussed comparatively.The history of Christendom during the Early Modern period has resulted in a number of traditions that are shared in many European ethnic and regional cultures.

This concerns notably common traditions based on Christian mythology, i.e. certain commonalities in celebrating Christmas, such as the various Christmas gift-bringers, or customs associated with All Souls' Day.

White Ruthenia (Belarusian: Белая Русь, romanized: Biełaja Ruś; Polish: Ruś Biała; Russian: Белая Русь, romanized: Belaya Rus'; Ukrainian: Біла Русь, romanized: Bila Ruś; Yiddish: רייסן, romanized: Raysn) is one of the historical divisions of Kievan Rus' according to the color scheme, which also includes Black and Red Ruthenia. In the Late Middle Ages and Early Modern period, the name White Ruthenia was characterized by instability, designating a number of different regions on the territory of modern Belarus, Russia, and Ukraine. It is recorded mainly in Western European sources, starting from the middle of the 13th century.

A drinking horn is the horn of a bovid used as a cup. Drinking horns are known from Classical Antiquity, especially the Balkans. They remained in use for ceremonial purposes throughout the Middle Ages and the Early Modern period in some parts of Europe, notably in Germanic Europe, and in the Caucasus. Drinking horns remain an important accessory in the culture of ritual toasting in Georgia in particular, where they are known by the local name of kantsi.

Cups made from glass, metal, pottery, and in the shape of drinking horns are also known since antiquity. The ancient Greek term for a drinking horn was simply keras (plural kerata, "horn"). To be distinguished from the drinking-horn proper is the rhyton (plural rhyta), a drinking-vessel made very loosely in the shape of a horn, sometimes with an outlet at the pointed end.