Papal tiara in the context of "Flag of Vatican City"

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⭐ Core Definition: Papal tiara

The papal tiara is a crown that was worn by popes of the Catholic Church from as early as the 8th century to the mid–20th century. It was last used by Pope Paul VI in 1963, and only at the beginning of his reign.

The name tiara refers to the entire headpiece, including the various crowns, circlets, and diadems that have adorned it through the ages, while the three-tiered form that it took in the 14th century is also called the triregnum or the triple crown, and sometimes as the triple tiara.

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👉 Papal tiara in the context of Flag of Vatican City

The national flag of Vatican City, also referred to as the flag of the Holy See, consists of vertical bicolour of yellow and white, with the white half charged with the emblem of the Holy See (a papal tiara and the crossed keys of Saint Peter). It was adopted in 1929, the year Pope Pius XI signed the Lateran Treaty with Italy, creating the new independent state of Vatican City.

It was modeled after the 1808 flag of the Papal States, a yellow-and-white bicolour defaced with the tiara and keys in the centre. It is one of only two national flags that use a 1:1 aspect ratio, along with the flag of Switzerland.

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Papal tiara in the context of Temporal power of the Holy See

The Holy See exercised temporal power, as distinguished from its spiritual and pastoral activity, while the pope ruled the Papal States in central Italy. The Papal States ceased to exist following the capture of Rome in 1870 by the Royal Italian Army, after which its remaining territories were annexed to the Kingdom of Italy. The Lateran Treaty of 1929 later established the Vatican City, a small city-state where the Holy See currently exercises temporal powers.

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Papal tiara in the context of Papal regalia and insignia

Papal regalia and insignia are the official items of attire and decoration proper to the Pope in his capacity as the visible head of the Catholic Church and sovereign of the Vatican City State.

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Papal tiara in the context of Virgin of Mercy

The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary. It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.

Usually the Virgin is standing alone, though if angels hold up the cloak, she is free to hold the infant Christ. She is typically about twice the size of the other figures. The people sheltered normally kneel, and are of necessity shown usually at a much smaller scale. These may represent all members of Christian society, with royal crowns, mitres and a papal tiara in the front rows, or represent the local population. The subject was often commissioned by specific groups such as families, confraternities, guilds or convents or abbeys, and then the figures represent these specific groups, as shown by their dress, or by the 15th century individual portraits. Sometimes arrows rain down from above, which the cloak prevents from reaching the people.

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