Pandit in the context of "Vastu shastra"

Tilla Jogian (Punjabi: ٹلا جوگیاں; Urdu: ٹلہ جوگیاں, meaning "hill of jogis "), also known as Balnath Tilla or Gorakh Tilla, is an abandoned Hindu temple and monastic complex located on the summit of the Tilla Jogian mountain in the Salt Range in the Jhelum district of Punjab province, Pakistan. Several temple structures exist at the site, albeit in a dilapidated and deteriorating condition. The summit of the mountain is heavily forested.

The complex was the most important centre for Hindu jogis in Punjab prior to 1947, and had housed hundreds of ascetics. In the pre-partition period, many pundits and yatris (pilgrims) visited the site, with the local environment being described as being lively. Post-partition, the site fell into disuse and decayed. The site is also important in Sikhism for its association with the founder of the Sikh faith, Guru Nanak. The site also features in the Waris Shah's version of the Punjabi folktale Heer Ranjha, being the location where Ranjha became a jogi and pierced his ears.

Brahmin (/ˈbrɑːmɪn/; Sanskrit: ब्राह्मण, romanized: brāhmaṇa) is a varna (theoretical social classes) within Hindu society. The other three varnas are the Kshatriya (rulers and warriors), Vaishya (traders, merchants, and farmers), and Shudra (labourers). The traditional occupation of Brahmins is that of priesthood (purohit, pandit, or pujari) at Hindu temples or at socio-religious ceremonies, and the performing of rite of passage rituals, such as solemnising a wedding with hymns and prayers.

Traditionally, Brahmins are accorded the supreme ritual status of the four social classes, and they also served as spiritual teachers (guru or acharya). In practice, Indian texts suggest that some Brahmins historically also became agriculturalists, warriors, traders, and had also held other occupations in the Indian subcontinent. Within the jati (caste) system, Brahmins similarly occupy the highest position, though that is complicated by strict stratification even among Brahmins and historical attempts by other castes and sub-castes to challenge Brahminical dominance.

Hindustani classical music (also known as North Indian classical music or Shastriya Sangeet) is the classical music of the Indian subcontinent's northern regions. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th-century from Carnatic music, the classical tradition of southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Sanskrit, Hindustani (Hindi-Urdu), Braj, Awadhi, Bhojpuri, Bengali, Rajasthani and Punjabi.

Knowledge of Hindustani classical music is taught through a network of classical music schools, called gharana. Hindustani classical music is an integral part of the culture of North India and is performed across the country and internationally. Exponents of Hindustani classical music, including Ustad Bismillah Khan, Pandit Bhimsen Joshi and Ravi Shankar have been awarded the Bharat Ratna, the highest civilian award of India, for their contributions to the arts.

Dravya Shah (Nepali: द्रव्य शाह; 1559–1570) was the first King of the Gorkha Kingdom in Nepal. He was the father of Purna Shah, king of Gorkha.Dravya Shah's accomplices were Bhagirath Panta, Ganesh Pandey, Keshav Bohara, Narayan Arjyal, Sarveshwar Khanal, and Gangaram Rana Magar all of whom belonged to Gorkha and knew all areas, ins and outs of the region. Narayan Arjyal was Drabya's Guru spiritual tutor. Keshav Bohara had been provided the responsibility to regulate Lands and Land Revenue. Ganesh Pandey and Bhagirath Panta were minister and commander-in-chief, respectively. Sarveshwar Khanal was the royal pandit.

Pandit Pran Nath (Devanagari: पंडित प्राणनाथ) (3 November 1918 – 13 June 1996) was an Indian classical singer and master of the Kirana gharana singing style. Promoting traditional raga principles, Nath exerted an influence on notable American minimalist and jazz musicians, including La Monte Young, Terry Riley, and Don Cherry. He began performing in the United States in the 1970s, and established the Kirana Center for Indian Classical Music in 1972; he subsequently taught in various universities across the US and Europe.