Palmyra in the context of Arameans

Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement emerged from the 18th-century Age of Enlightenment, and reached its peak in the early-to-mid-19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century.

European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymmetry; Neoclassical architecture is based on the principles of simplicity and symmetry, which were seen as virtues of the arts of Ancient Rome and Ancient Greece, and drawn directly from 16th-century Renaissance Classicism. Each "neo"-classicism movement selects some models among the range of possible classics that are available to it, and ignores others. Between 1765 and 1830, Neoclassical proponents—writers, speakers, patrons, collectors, artists and sculptors—paid homage to an idea of the artistic generation associated with Phidias, but sculpture examples they actually embraced were more likely to be Roman copies of Hellenistic sculptures. They ignored both Archaic Greek art and the works of late antiquity. The discovery of ancient Palmyra's "Rococo" art through engravings in Robert Wood's The Ruins of Palmyra came as a revelation. With Greece largely unexplored and considered a dangerous territory of the Ottoman Empire, Neoclassicists' appreciation of Greek architecture was predominantly mediated through drawings and engravings which were subtly smoothed and regularized, "corrected" and "restored" monuments of Greece, not always consciously.

Western Aramaic is a group of Aramaic dialects once spoken widely throughout the ancient Levant, predominantly in the south, and Sinai, including ancient Damascus, Nabataea, across the Palestine region with Judea, Transjordan and Samaria, as well as today's Lebanon and the basins of the Orontes as far as Aleppo in the north. The group was divided into several regional variants, spoken mainly by the Palmyrenes in the east and the Aramaeans who settled on Mount Lebanon - ancestors of the early Maronites. In the south, it was spoken by Judeans (early Jews), Galileans, Samaritans, Pagans, Melkites (descendants of the aforementioned peoples who followed Chalcedonian Christianity), Nabataeans and possibly the Itureans. All of the Western Aramaic dialects are considered extinct today, except for the modern variety known as Western Neo-Aramaic. This dialect, which descends from Damascene Aramaic, is still spoken by the Arameans (Syriacs) in the towns of Maaloula, Bakh'a and Jubb'adin near Damascus, Syria.

A sheikhdom or sheikdom (Arabic: مشيخة, romanized: Mashyakhah) is a geographical area or a society ruled by a tribal leader known as a sheikh (Arabic: شيخ). Sheikhdoms exist almost exclusively within Arab countries, particularly in the Arabian Peninsula (Arab States of the Persian Gulf), with some notable exceptions throughout history (e.g. the Sangage Sheikhdom).

Although some countries are ruled by a sheikh, they are not typically referred to as sheikdoms, but kingdom, emirate, or simply state, and their ruler usually has another royal title such as king or emir.

James Germain Février (January 1895, in Clérac – 15 July 1976, in Paris) was a 20th-century French historian and philologist. A specialist of the Semitic world, his thesis was on the archaeological site of Palmyra and he wrote numerous studies on the history of Carthage and the Phoenicians.

He was editor-in-chief of the Journal Asiatique from 1967 to 1972.

Parthian art was Iranian art made during the Parthian Empire from 247 BC to 224 AD, based in the Near East. It has a mixture of Persian and Hellenistic influences. For some time after the period of the Parthian Empire, art in its styles continued for some time. A typical feature of Parthian art is the frontality of the people shown. Even in narrative representations, the actors do not look at the object of their action, but at the viewer. These are features that anticipate the art of medieval Europe and Byzantium.

Parthian sites are often overlooked in excavations, thus the state of research knowledge in Parthian art is not complete. The excavations at Dura-Europos in the 20th century provided many new discoveries. The classical archaeologist and director of the excavations, Michael Rostovtzeff, realized that the art of the first centuries AD from Palmyra, Dura Europos, and also in Iran as far as the Greco-Buddhist art of north India followed the same principles. He called this art style Parthian art.

The Arab migrations to the Levant involved successive waves of migration and settlement by Arab people in the Levant region of West Asia, encompassing modern-day Syria, Lebanon, Jordan, Palestine and Israel. The process took place over several centuries, lasting from ancient time to the modern period. The Arab migrants hailed from various parts of the Middle East, particularly the Arabian Peninsula. In the 9th century BCE, the Assyrians made written references to Arabs among the inhabitants of Levant and Arabia.

Several notable Arab kingdoms, peoples and principalities were established in the Levant since ancient times such as the Nabatean Kingdom in southern Levant 3rd century BC, Itureans north of the Galilee in late Hellenistic period, in Palmyra Arabs alongside Arameans formed a major ethnic group of its native population. notable influential local Arab dynasties and kings also emerged from the Levant such as the Emesene dynasty in modern day Homs and the Roman emperor Philip the Arab.

The Palmyrene Empire was a short-lived breakaway state from the Roman Empire resulting from the Crisis of the Third Century. Named after its capital city, Palmyra, it encompassed the Roman provinces of Syria Palaestina, Arabia Petraea, and Egypt, as well as large parts of Asia Minor.

The Palmyrene Empire was ruled by Queen Zenobia, officially as regent for her son Vaballathus, who inherited the throne in 267 at age ten. In 270, Zenobia rapidly conquered most of the Roman east, attempting to maintain relations with Rome as a legitimate power. In 271, she claimed the imperial title for both herself and her son, fighting a short war with the Roman emperor Aurelian, who conquered Palmyra and captured Zenobia. A year later the Palmyrenes rebelled, which led Aurelian to raze Palmyra.

Phoenice Libanensis (Greek: Φοινίκη Λιβανησία, lit. 'Lebanese Phoenicia', also known in Latin as Phoenice Libani, or Phoenice II/Phoenice Secunda), was a province of the Roman Empire, covering the Anti-Lebanon Mountains and the territories to the east, all the way to Palmyra. It was officially created c. 392, when the Roman province of Phoenice was divided into Phoenice proper or Phoenice Paralia, and Phoenice Libanensis, a division that persisted until the region was conquered by the Muslim Arabs in the 630s.

Palmyrene Aramaic was a Middle Aramaic dialect, exhibiting both Eastern and Western Aramaic grammatical features, and is therefore often regarded as a dialect continuum between the two branches. It was primarily documented in Palmyra itself, but also found in the western parts of the Roman Empire, extending as far as Britannia. Dated inscriptions range from 44 BCE to 274 CE, with over 4,000 known inscriptions, mostly comprising honorific, dedicatory, and funerary texts. The dialect still retains echoes of earlier Imperial Aramaic. The lexicon bears influences from both Koine Greek and, to some extent, Arabic.

The dual had disappeared from it.

The Great Colonnade at Palmyra was the main colonnaded avenue in the ancient city of Palmyra in the Syrian Desert. The colonnade was built in several stages during the second and third century CE and stretched for more than a kilometer (approximately .75 miles). It linked the Temple of Bel, in the southeastern end of the city, to the West Gate and the Funerary Temple in the northwestern part.

The colonnade was damaged during the Syrian Civil War, especially when Palmyra was occupied by the Islamic State of Iraq and the Levant from May 2015 to March 2016. However, large parts of it are still intact.

The Temple of Bel (Arabic: معبد بعل), sometimes also referred to as the "Temple of Baal", was an ancient temple located in Palmyra, Syria. The temple, consecrated to the Mesopotamian god Bel, worshipped at Palmyra in triad with the lunar god Aglibol and the sun god Yarhibol, formed the center of religious life in Palmyra and was dedicated in AD 32. The temple would have been closed during the persecution of pagans in the late Roman Empire in a campaign against the temples of the East made by Maternus Cynegius, Praetorian Prefect of Oriens, between 25 May 385 to 19 March 388. Its ruins were considered among the best preserved at Palmyra, until they were further destroyed by the Islamic State in August 2015. The arched main entrance into the temple is still intact, as well as its exterior walls and fortified gate.

The Palmyrene alphabet was a historical Semitic alphabet used to write Palmyrene Aramaic. It was used between 100 BCE and 300 CE in Palmyra in the Syrian desert.The oldest surviving Palmyrene inscription dates to 44 BCE.The last surviving inscription dates to 274 CE, two years after Palmyra was sacked by Roman Emperor Aurelian, ending the Palmyrene Empire. Use of the Palmyrene language and script declined, being replaced with Greek and Latin.

The Palmyrene alphabet was derived from cursive versions of the Aramaic alphabet and shares many of its characteristics:

Osroene (Ancient Greek: Ὀσροηνή), also spelled Osrohene and Osrhoene, was a Roman province which existed for nearly 400 years. It was formed after the absorption of the Kingdom of Osroene in 214 CE and served as a frontier province against the Sassanid Empire until the Muslim conquests of the 7th century.

For the whole of its existence, the province would remain a bone of contention between the Romans and their eastern neighbors, the Sassanid Persians, suffering heavily in the recurrent Roman–Persian Wars. War broke out after the death of the Roman emperor Decius in 251 and the province was invaded by the Persians. In the second half of the 250s, the Persian shah Shapur I (r. ca. 240–270) attacked the Roman east, which was defended by the Roman emperor Valerianus (r. 253–260), whom he captured at Edessa in 260. In the next year however, Shapur was heavily defeated by Odaenathus of Palmyra and driven out of Osroene and Mesopotamia.

Sol Invictus (Classical Latin: [ˈsoːɫ ɪnˈwɪktʊs], "Invincible Sun" or "Unconquered Sun") was the official sun god of the late Roman Empire and a later aspect of, or replacement for, the old Latin god Sol. The emperor Aurelian revived his cult in 274 AD and promoted Sol Invictus as the chief god of the empire. From Aurelian onward, Sol Invictus often appeared on imperial coinage, usually shown wearing a sun crown and driving a horse-drawn chariot through the sky. His prominence lasted until the emperor Constantine I legalized Christianity and restricted paganism. The last known inscription referring to Sol Invictus dates to AD 387, although there were enough devotees in the fifth century that the Christian theologian Augustine found it necessary to preach against them.

In recent years, the scholarly community has become divided on Sol between traditionalists and a growing group of revisionists. In the traditional view, Sol Invictus was the second of two different sun gods in Rome. The first of these, Sol Indiges, or Sol, was believed to be an early Roman god of minor importance whose cult had petered out by the first century AD. Sol Invictus, on the other hand, was believed to be a Syrian sun god whose cult was first promoted in Rome under Elagabalus, without success. Some fifty years later, in 274 AD, Aurelian established the cult of Sol Invictus as an official religion. There has never been consensus on which Syrian sun god he might have been: some scholars opted for the sky god of Emesa, Elagabal, while others preferred Malakbel of Palmyra. In the revisionist view, there was only one cult of Sol in Rome, continuous from the monarchy to the end of antiquity. There were at least three temples of Sol in Rome, all active during the Empire and all dating from the earlier Republic.