Palestrina (ancient Praeneste; Ancient Greek: Πραίνεστος, Praínestos) is a modern Italian city and comune (municipality) with a population of about 22,000, in Lazio, about 35 kilometres (22 miles) east of Rome. It is connected to the latter by the Via Prenestina. It is built upon the ruins of the ancient city of Praeneste.
Palestrina is the birthplace of composer Giovanni Pierluigi da Palestrina.
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Francesco Barberini (23 September 1597 – 10 December 1679) was an Italian Catholic Cardinal. The nephew of Pope Urban VIII (reigned 1623–1644), he benefited immensely from the nepotism practiced by his uncle. He was given various roles within the Vatican administration but his personal cultural interests, particularly in literature and the arts, meant that he became a highly significant patron. His secretary was the antiquarian Cassiano dal Pozzo who was also a discerning patron of the arts. Francesco was the elder brother of Cardinal Antonio Barberini and Taddeo Barberini who became Prince of Palestrina.
The Latins (Latin: Latīnī), sometimes known as the Latials or Latians, were an Italic tribe that included the early inhabitants of the city of Rome (see Roman people). From about 1000 BC, the Latins inhabited the small region known to the Romans as Old Latium (in Latin Latium vetus), the area in the Italian Peninsula between the river Tiber and the promontory of Mount Circeo 100 km (62 mi) southeast of Rome. Following the Roman expansion, the Latins spread into the Latium adiectum, inhabited by Osco-Umbrian peoples.
Their language, Latin, belonged to the Italic branch of Indo-European. Speakers of Italic languages are assumed to have migrated into the Italian Peninsula during the late Bronze Age (1200–900 BC). The material culture of the Latins, known as the Latial culture, was a distinctive subset of the proto-Villanovan culture that appeared in parts of the Italian peninsula in the first half of the 12th century BC. Before and after their political unification under Rome in 338 BC, the Latins maintained close cultural and religious relations, including common festivals and religious sanctuaries.
Apulu (Etruscan: 𐌖𐌋𐌖𐌐𐌀), also syncopated as Aplu (Etruscan: 𐌖𐌋𐌐𐌀), is an epithet of the Etruscan fire god Śuri as chthonic sky god, roughly equivalent to the Greco-Roman god Apollo.Their names are associated on Pyrgi inscriptions too.The name Apulu or Aplu did not come directly from Greece but via a Latin center, probably Palestrina.
Under the name Apulu, he is known as god of the Sun and light, thunder and lightning, healing and plague, as well as the protector of divination, but he also has volcanic and infernal characteristics.
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Palestrina was one of the few Renaissance composers never entirely forgotten, but it was the so-called "Palestrinian style" of counterpoint—especially as codified by Johann Joseph Fux—rather than his individual compositions that exerted the greatest influence.
Born in the town of Palestrina in the Papal States, Palestrina moved to Rome as a child and underwent musical studies there. In 1551, Pope Julius III appointed him maestro di cappella of the Cappella Giulia at St. Peter's Basilica. He left the post four years later, unable to continue as a layman under the papacy of Paul IV, and held similar positions at St. John Lateran and Santa Maria Maggiore in the following decade. Palestrina returned to the Cappella Giulia in 1571 and remained at St Peter's until his death in 1594.
The Palestrina Mosaic or Nile mosaic of Palestrina is an ancient floor mosaic depicting the Nile in its passage from the Blue Nile to the Mediterranean. The mosaic was part of a Classical sanctuary-grotto in Palestrina, a town east of Ancient Rome, in central Italy. It has a width of 5.85 metres and a height of 4.31 metres and provides a glimpse into the Roman fascination with ancient Egyptian exoticism in the 1st century BC, both as an early manifestation of the role of Egypt in the Roman imagination and an example of the genre of "Nilotic landscape", with a long iconographic history in Egypt and the Aegean.