Palace of the Soviets in the context of "Cathedral of Christ the Saviour"

Play Trivia Questions online!

or

Skip to study material about Palace of the Soviets in the context of "Cathedral of Christ the Saviour"

Ad spacer

⭐ Core Definition: Palace of the Soviets

The Palace of the Soviets (Russian: Дворец Советов, romanizedDvorets Sovetov) was a project to construct a political convention center in Moscow on the site of the demolished Cathedral of Christ the Saviour. The main function of the palace was to house sessions of the Supreme Soviet in its 130-metre (430 ft) wide and 100-metre (330 ft) tall grand hall seating over 20,000 people. If built, the 416-metre (1,365 ft) tall palace would have become the world's tallest structure, with an internal volume surpassing the combined volumes of the six tallest American skyscrapers. This was especially important to the Soviet state for propaganda purposes.

Boris Iofan's victory in a series of four architectural competitions held between 1931 and 1933 signaled a sharp turn in Soviet architecture, from radical modernism to the monumental historicism that would come to characterize Stalinist architecture. The definitive design by Iofan, Vladimir Shchuko and Vladimir Helfreich was conceived in 1933–1934 and took its final shape in 1937. The staggered stack of ribbed cylinders crowned with a 100-metre (330 ft) statue of Vladimir Lenin blended Art Deco and Neoclassical influences with contemporary American skyscraper technology.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Palace of the Soviets in the context of Cathedral of Christ the Saviour

The Cathedral of Christ the Saviour (Russian: Храм Христа́ Спаси́теля, romanizedKhram Khristá Spasítelya, Russian pronunciation: [xram xrʲɪˈsta spɐˈsʲitʲɪlʲə]) is a Russian Orthodox cathedral in Moscow, Russia, on the northern bank of the Moskva River, a few hundred metres southwest of the Kremlin. With an overall height of 103 metres (338 ft), it is the third tallest Orthodox Christian church building in the world.

The current church is the second to stand on this site. The original church, built in the 19th century, took more than 40 years to build, and was the site of the 1882 world premiere of the 1812 Overture composed by Tchaikovsky. It was destroyed in 1931 on the order of the Soviet Politburo. The demolition was supposed to make way for a colossal Palace of the Soviets to house the country's legislature, the Supreme Soviet of the USSR. Construction started in 1937 but was halted in 1941 when Germany invaded the Soviet Union during World War II. Its steel frame was disassembled the following year, and the palace was never built. Following the dissolution of the Soviet Union, the current cathedral was constructed on the site between 1995 and 2000.

↓ Explore More Topics
In this Dossier

Palace of the Soviets in the context of Stalinist architecture

Stalinist architecture (Russian: Сталинская архитектура), mostly known in the former Eastern Bloc as Stalinist style or socialist classicism, is an architectural style that defined the institutional aesthetics of the Soviet Union under the leadership of Joseph Stalin — particularly between 1933 (when Boris Iofan's draft for the Palace of the Soviets was officially approved) and 1956 (when Nikita Khrushchev condemned what he saw as the "excesses" of past decades and disbanded the Soviet Academy of Architecture). Stalinist architecture is associated with the Socialist realism school of art and architecture.
Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).

↑ Return to Menu

Palace of the Soviets in the context of Boris Iofan

Boris Mikhailovich Iofan (Russian: Борис Михайлович Иофан, [ɪɐˈfan]; April 28, 1891 – March 11, 1976) was a Soviet architect of Jewish origin, known for his Stalinist architecture buildings like the 1931 House on the Embankment and the 1931–1933 winning draft of the Palace of the Soviets.

↑ Return to Menu