Page layout in the context of "White space (visual arts)"

Map layout, also called map composition or (cartographic) page layout, is the part of cartographic design that involves assembling various map elements on a page. This may include the map image itself, along with titles, legends, scale indicators, inset maps, and other elements. It follows principles similar to page layout in graphic design, such as balance, gestalt, and visual hierarchy. The term map composition is also used for the assembling of features and symbols within the map image itself, which can cause some confusion; these two processes share a few common design principles but are distinct procedures in practice. Similar principles of layout design apply to maps produced in a variety of media, from large format wall maps to illustrations in books to interactive web maps, although each medium has unique constraints and opportunities.

Technical drawing, drafting or drawing, is the act and discipline of composing drawings that visually communicate how something functions or is constructed.

Technical drawing is essential for communicating ideas in industry and engineering.To make the drawings easier to understand, people use familiar symbols, perspectives, units of measurement, notation systems, visual styles, and page layout. Together, such conventions constitute a visual language and help to ensure that the drawing is unambiguous and relatively easy to understand. Many of the symbols and principles of technical drawing are codified in an international standard called ISO 128.

In publishing, sidebar is a term for information placed adjacent to an article in a printed or Web publication, graphically separate but with contextual connection.

The term has long been used in newspaper and magazine page layout. It is often used as the title of legal groups' publications in the US as a pun on "the bar", a term for the legal profession: The Federal Bar Association, Montgomery Bar Association of Norristown Pennsylvania, and the Westmoreland Bar Association are 3 examples.

In typography, line length is the width of a block of typeset text, usually measured in units of length like inches or points or in characters per line (in which case it is a measure). A block of text or paragraph has a maximum line length that fits a determined design. If the lines are too short then the text becomes disjointed; if they are too long, the content loses rhythm as the reader searches for the start of each line.

Line length is determined by typographic parameters based on a formal grid and template with several goals in mind: balance and function for fit and readability with a sensitivity to aesthetic style in typography. Typographers adjust line length to aid legibility or copy fit. Text can be flush left and ragged right, flush right and ragged left, or justified where all lines are of equal length. In a ragged right setting, line lengths vary to create a ragged right edge. Sometimes this can be visually satisfying. For justified and ragged right settings typographers can adjust line length to avoid unwanted hyphens, rivers of white space, and orphaned words/characters at the end of lines (e.g., "The", "I", "He", "We").

In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab (and often to an image above it or under it).

The type alignment setting is sometimes referred to as text alignment, text justification, or type justification. The edge of a page or column is known as a margin, and a gap between columns is known as a gutter.

Book design is the graphic art of determining the visual and physical characteristics of a book. The design process begins after an author and editor finalize the manuscript, at which point it is passed to the production stage. During production, graphic artists, art directors, or professionals in similar roles will work with printing press operators to decide on visual elements—including typography, margins, illustrations, and page layout—and physical features, such as trim size, type of paper, kind of printing, binding.

From the late Middle Ages to the 21st century, the basic structure and organization of Western books have remained largely unchanged. Front matter introduces readers to the book, offering practical information like the title, author and publisher details, and an overview of the content. It may also include editorial or authorial notes providing context. This is followed by the main content of the book, often broadly organized into chapters or sections. The book concludes with back matter, which may include bibliographies, appendices, indexes, glossaries, or errata.

In typography, a column is one or more vertical blocks of content positioned on a page, separated by gutters (vertical whitespace) or rules (thin lines, in this case vertical). Columns are most commonly used to break up large bodies of text that cannot fit in a single block of text on a page. Additionally, columns are used to improve page composition and readability. Newspapers very frequently use complex multi-column layouts to break up different stories and longer bodies of texts within a story. Column can also more generally refer to the vertical delineations created by a typographic grid system which type and image may be positioned. In page layout, the whitespace on the outside of the page (bounding the first and last columns) are known as margins; the gap between two facing pages is also considered a gutter, since there are columns on both sides. (Any gutter can also be referred to as a margin, but exterior and horizontal margins are not gutters.)

In some cases, column numbers are provided to improve specifying the in-source location in addition to or in absence of page numbers in serial publications, legal documents and patents. Historically, column designations were abbreviated "c" (singular) or "cc" (plural), i.e. "c130" or "cc130–136".

Cut, copy, and paste are essential commands of modern human–computer interaction and user interface design. They offer an interprocess communication technique for transferring data through a computer's user interface. The cut command removes the selected data from its original position, and the copy command creates a duplicate; in both cases the selected data is kept in temporary storage called the clipboard. Clipboard data is later inserted wherever a paste command is issued. The data remains available to any application supporting the feature, thus allowing easy data transfer between applications.

The command names are a (skeuomorphic) interface metaphor based on the physical procedure used in manuscript print editing to create a page layout, like with paper.The commands were pioneered into computing by Xerox PARC in 1974, popularized by Apple Computer in the 1983 Lisa workstation and the 1984 Macintosh computer, and in a few home computer applications such as the 1984 word processor Cut & Paste.