Page (paper) in the context of "Page orientation"

⭐ In the context of page_orientation, the terms 'portrait' and 'landscape' are directly inspired by conventions found in which field?

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⭐ Core Definition: Page (paper)

A page is one side of a leaf (a sheet or half-sheet) of paper, parchment or other material (or electronic media) in a book, magazine, newspaper, or other collection of sheets, on which text or illustrations can be printed, written or drawn, to create documents. It can be used as a measure of communicating general quantity of information ("That topic covers twelve pages") or more specific quantity ("there are 535 words in a standard page in twelve point font type").

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👉 Page (paper) in the context of Page orientation

Page orientation is the way in which a rectangular page is oriented for normal viewing. The two most common types of orientation are portrait and landscape. The term "portrait orientation" comes from visual art terminology and describes the dimensions used to capture a person's face and upper body in a picture; in such images, the height of the display area is greater than the width. The term "landscape orientation" also reflects visual art terminology, where pictures with more width than height are needed to fully capture the horizon within an artist's view.

Besides describing the way documents can be viewed and edited, the concepts of "portrait" and "landscape" orientation can also be used to describe video and photography display options (where the concept of "aspect ratio" replaces that of "page orientation"). Many types of visual media use landscape mode, especially the 4:3 aspect ratio used for classic TV formatting, which is 4 units or pixels wide and 3 units tall, and the 16:9 aspect ratio for newer, widescreen media viewing.

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Page (paper) in the context of Recto

Recto is the "right" or "front" side and verso is the "left" or "back" side when text is written or printed on a leaf of paper (folium) in a bound item such as a codex, book, broadsheet, or pamphlet.

In double-sided printing, each leaf has two pages – front and back. In modern books, the physical sheets of paper are stacked and folded in half, producing two leaves and four pages for each sheet. For example, the outer sheet in a 16-page book will have one leaf with pages 1 (recto) and 2 (verso), and another leaf with pages 15 (recto) and 16 (verso). Pages 1 and 16, for example, are printed on the same side of the physical sheet of paper, combining recto and verso sides of different leaves. The number of pages in a book using this binding technique must thus be a multiple of four, and the number of leaves must be a multiple of two, but unused pages are typically left unnumbered and uncounted. A sheet folded in this manner is known as a folio, a word also used for a book or pamphlet made with this technique.

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Page (paper) in the context of Footnote

In publishing, a note is a brief text in which the author comments on the subject and themes of the book and names supporting citations. In the editorial production of books and documents, typographically, a note is usually several lines of text at the bottom of the page, at the end of a chapter, at the end of a volume, or a house-style typographic usage throughout the text. Notes are usually identified with superscript numbers or a symbol.

Footnotes are informational notes located at the foot of the thematically relevant page, whilst endnotes are informational notes published at the end of a chapter, the end of a volume, or the conclusion of a multi-volume book. Unlike footnotes, which require manipulating the page design (text-block and page layouts) to accommodate the additional text, endnotes are advantageous to editorial production because the textual inclusion does not alter the design of the publication. However, graphic designers of contemporary editions of the Bible often place the notes in a narrow column in the page centre, between two columns of biblical text.

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Page (paper) in the context of Page layout

In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives.

The high-level page layout involves deciding on the overall arrangement of text and images, and possibly on the size or shape of the medium. These decisions require intelligence, sentience, and creativity on the part of the designer, and they are informed by culture, psychology, and what the document authors and editors wish to communicate and emphasize. Low-level pagination and typesetting are more mechanical processes. Given certain parameters such as boundaries of text areas, the typeface, and font size, justification preference can be done in a straightforward way. Until desktop publishing became dominant, these processes were still done by people, but in modern publishing, they are almost always automated. The result might be published as-is (as for a residential phone book interior) or it might be adjusted by a graphic designer (as for a highly polished, expensive publication).

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Page (paper) in the context of Justification (typesetting)

In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab (and often to an image above it or under it).

The type alignment setting is sometimes referred to as text alignment, text justification, or type justification. The edge of a page or column is known as a margin, and a gap between columns is known as a gutter.

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Page (paper) in the context of Pagination

Pagination, also known as paging, is the process of dividing a document into discrete pages, either electronic pages or printed pages.

In reference to books produced without a computer, pagination can mean the consecutive page numbering to indicate the proper order of the pages, which was rarely found in documents pre-dating 1500, and only became common practice c. 1550, when it replaced foliation, which numbered only the front sides of folios.

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