Orientalism in the context of "Romanticism"

The Eastern world, also known as the East or historically the Orient, is an umbrella term for various cultures or social structures, nations and philosophical systems, which vary depending on the context. It most often includes Asia, the Mediterranean region and the Arab world, specifically in historical (pre-modern) contexts, and in modern times in the context of Orientalism. Occasionally, the term may also include countries in Eastern Europe and the Balkans. The Eastern world is often seen as a counterpart to the Western world.

The various regions included in the term are varied, hard to generalize, and do not have a single shared common heritage. Although the various parts of the Eastern world share many common threads, most notably being in the "Global South", they have never historically defined themselves collectively. The term originally had a literal geographic meaning, referring to the eastern part of the Old World, contrasting the cultures and civilizations of Asia with those of Europe (or the Western world). Traditionally, this includes East Asia, Southeast Asia, South Asia, Central Asia and West Asia.

Ijtihad (/ˌɪdʒtəˈhɑːd/ IJ-tə-HAHD; Arabic: اجتهاد ijtihād [ʔidʒ.tihaːd], lit. 'physical effort' or 'mental effort') is an Islamic legal term referring to independent reasoning by an expert in Islamic law, or the thorough exertion of a jurist's mental faculty in finding a solution to a legal question. It is contrasted with taqlid (imitation, conformity to legal precedent). According to classical Sunni theory, ijtihad requires expertise in the Arabic language, theology, revealed texts, and principles of jurisprudence (usul al-fiqh), and is not employed where authentic and authoritative texts (Qur'an and hadith) are considered unambiguous with regard to the question, or where there is an existing scholarly consensus (ijma). Ijtihad is considered to be a religious duty for those qualified to perform it. An Islamic scholar who is qualified to perform ijtihad is called a "mujtahid".

For the first five centuries of Islam, the practice of ijtihad continued in theory and practice among Sunni Muslims. It then first became subject to dispute in the 12th century. By the 14th century, development of classic Islamic jurisprudence or fiqh prompted leading Sunni jurists to state that the main legal questions in Islam had been addressed, and to call for the scope of ijtihad to be restricted. In the modern era, this gave rise to a perception amongst Orientalist scholars and sections of the Muslim public that the so-called "gate of ijtihad" was closed at the start of the classical era. While recent scholarship established that the practice of Ijtihad had never ceased in Islamic history, the extent and mechanisms of legal change in the post-formative period remain a subject of debate. Differences amongst the Fuqaha (jurists) prevented Sunni Muslims from reaching any consensus (Ijma) on the issues of continuity of Ijtihad and existence of Mujtahids. Thus, Ijtihad remained a key aspect of Islamic jurisprudence throughout the centuries. Ijtihad was practiced throughout the Early modern period and claims for ijtihad and its superiority over taqlid were voiced unremittingly.

Jean-Léon Gérôme (French pronunciation: [ʒɑ̃ leɔ̃ ʒeʁom]; 11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his works includes historical paintings, Greek mythology, Orientalism, portraits, and other subjects. He is considered among the most important painters from the academic period and was, with Meissonier and Cabanel, one of "the three most successful artists of the Second Empire".

He was also a teacher with a long list of students, including Mary Cassatt, Thomas Eakins, and Osman Hamdi Bey, among others.

Jean-Jules-Antoine Lecomte du Nouÿ (10 June 1842 in Paris – 19 February 1923 in Paris) was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious.

Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century. A Parisian street was named after him in 1932.

The Booty is a painting created by Greek painter Theodorus Rallis. He was a watercolourist and draughtsman creating portraits, local figures, architectural subjects, interiors, and genre works.  Rallis was best known for his orientalist paintings. Theodorus was trained in France by Jean-Léon Gérôme and Jean-Jules-Antoine Lecomte du Nouy. Both of the painters were Orientalists.  Jean-Léon was a professor at the École des Beaux-Arts and also an academist.  Theodorus acquired knowledge of both academic art and orientalism from his professors. He first exhibited his work at the Salon of 1875 in Paris and was a member of the Société des Artistes Français. Rallis also frequently exhibited works at the Royal Academy in London from 1879 onwards. There is no exact inventory of the painters' existing catalog, but Artnet has tracked over 217 paintings and 15 works on paper attributed to Rallis. In 1900, Rallis was awarded the decoration of the Knight of the Legion of Honor by France.

Common artistic themes of Ottoman Oppression towards Greeks and other inhabitants of the empire recurred throughout the 19th century. In 1824, The Massacre at Chios was completed by French painter Eugène Delacroix, and it features the horrors the Greek people endured during the 1822 Chios massacre. Although Rallis was born in Constantinople, his family was originally from Chios. Another French painter named Constance Blanchard, painted Greek Women of Souli Running to Their Death in 1838, featuring Greek women and children jumping to their deaths to avoid capture, enslavement, rape, and lifelong torture.

Nikolai Andreyevich Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

Rimsky-Korsakov believed in developing a nationalistic style of classical music, employing Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewing traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.

The Malay world or Malay realm (Indonesian/Malay: Dunia Melayu or Alam Melayu) or Malaysphere is a political concept or an expression that has been used by different authors and groups over time to denote several different notions, derived from varied interpretations of 'Malay' either as an ethnic group, as a racial category, as a linguistic group or as a cultural group. The use of the term Malay in much of the conceptualisation is largely based on the prevalent Malay cultural influence, manifested in particular through the spread of the Malay language in Southeast Asia as observed by different colonial powers during the Age of Discovery and spread of Islam. The term remains highly controversial in Indonesia and outside the Malay-speaking areas, because it is considered politically charged and irredentist rather than purely cultural.

The concept in its broadest territorial stretch may apply to a region synonymous with Austronesia, homeland to the Austronesian peoples, that extends from Easter Island in the east to Madagascar in the west. Such description has its origin in the introduction of the term Malay race in the late 18th century that has been popularised by orientalists to describe the Austronesian peoples. In the development of further research, the Malay race was categorized as a Malayo-Polynesian languages. In a narrower sense, the Malay world has been used as a synonym for Malay sprachraum, referring to the Malay-speaking countries and territories of Southeast Asia, where different standards of Malay are the national languages or a variety of it is an important minority language. The term in this sense encompasses Brunei, Indonesia, Malaysia, Singapore and Southern Thailand, and is sometimes used interchangeably with the concepts of 'Malay Archipelago' and 'Nusantara'.