Watercolour in the context of "Aquatint"

⭐ In the context of Aquatint, watercolour is considered…

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⭐ Core Definition: Watercolour

Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French: [akwaʁɛl]; from Italian diminutive of Latin aqua 'water'), is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork.

The conventional and most common support—material to which the paint is applied—for watercolor paintings is paper, usually special types of watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyrus, bark papers, plastics, vellum, leather, fabric, wood, and watercolor canvas (coated with a gesso that is specially formulated for use with watercolors). Watercolor paper is often made entirely or partially with cotton. This gives the surface the appropriate texture and minimizes distortion when wet. Watercolor papers are usually cold-pressed papers that provide better texture and appearance. Transparency is the main characteristic of watercolors. "It consists of a mixture of pigments, binders such as gum arabic and humectants such as glycerin, which together with other components, allow the color pigment to join and form the paint paste, which we know as watercolor. With regard to the colors, the quality of the pigments and their degree of concentration, it is what determines how good the watercolor is and also its price. A paint that has a high concentration of pigment, professional type, allows us to use it with a large amount of water without losing the intensity of color." Watercolors can also be made opaque by adding Chinese white. In the 19th century this could be controversial, and not regarded as "true watercolor" in the English tradition, but by about 1880 this dispute was over.

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👉 Watercolour in the context of Aquatint

Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. It has also been used historically to print in colour, both by printing with multiple plates in different colours, and by making monochrome prints that were then hand-coloured with watercolour. The term colour etching, frequently used in the art trade, is potentially ambiguous, but most often means one of these two options.

It has been in regular use since the later 18th century, and was most widely used between about 1770 and 1830, when it was used both for artistic prints and decorative ones. After about 1830 it lost ground to lithography and other techniques. There have been periodic revivals among artists since then. An aquatint plate wears out relatively quickly, and is less easily reworked than other intaglio plates. Many of Goya's plates were reprinted too often posthumously, giving very poor impressions.

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In this Dossier

Watercolour in the context of Albrecht Dürer

Albrecht Dürer (/ˈdjʊərər/ DURE-ər, German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.

Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylistically more Gothic than the rest of his work, but revolutionised the potential of that medium, while his extraordinary handling of the burin expanded especially the tonal range of his engravings.

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Watercolour in the context of Coronation of the British monarch

The coronation of the monarch of the United Kingdom is an initiation ceremony in which they are formally invested with regalia and crowned at Westminster Abbey. It corresponds to the coronations that formerly took place in other European monarchies, which have all abandoned coronations in favour of inauguration or enthronement ceremonies. A coronation is a symbolic formality and does not signify the official beginning of the monarch's reign; de jure and de facto his or her reign commences from the moment of the preceding monarch's death or abdication, maintaining legal continuity of the monarchy.

The coronation usually takes place several months after the death of the monarch's predecessor, as it is considered a joyous occasion that would be inappropriate while mourning continues. This interval also gives planners enough time to complete the required elaborate arrangements. The most recent coronation took place on 6 May 2023 to crown King Charles III and Queen Camilla.

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Watercolour in the context of Break, Break, Break

"Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire.

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Watercolour in the context of J. R. Skelton

Joseph Ratcliffe Skelton (1865–1927), often called J. R. Skelton, was a prolific English illustrator, working in watercolour and oils among other media.

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Watercolour in the context of Grisaille

Grisaille (/ɡrɪˈz/ or /ɡrɪˈzl/; French: grisaille, lit.'greyed' French pronunciation: [ɡʁizaj], from gris 'grey') is a painting executed entirely in shades of black and grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range.

A grisaille may be executed for its own sake, as underpainting for an oil painting (in preparation for glazing layers of colour over it), or as a model for an engraver or other printmaker to work from. "Rubens and his school sometimes use monochrome techniques in sketching compositions for engravers." By the 19th century many illustrations for books or magazines were made reproducing grisailles in watercolour. Full colouring of a subject makes many more demands of an artist, and working in grisaille was often chosen as being quicker and cheaper, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were trained to produce; like drawings they can also betray the hand of a less talented assistant more easily than a fully coloured painting.

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Watercolour in the context of Royal Collection

The Royal Collection of the British royal family is the largest private art collection in the world.

Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of more than one million objects, including 7,000 paintings, more than 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.

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