Old master prints in the context of "Albrecht Dürer"

⭐ In the context of Albrecht Dürer, how is his approach to old master prints considered groundbreaking?

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⭐ Core Definition: Old master prints

An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition (mostly by Old Masters). The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term.

The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned with the artistic, historical and social aspects of the subject; the article on printmaking summarizes the techniques used in making old master prints, from a modern perspective.

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👉 Old master prints in the context of Albrecht Dürer

Albrecht Dürer (/ˈdjʊərər/ DURE-ər, German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.

Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylistically more Gothic than the rest of his work, but revolutionised the potential of that medium, while his extraordinary handling of the burin expanded especially the tonal range of his engravings.

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Old master prints in the context of A. Hyatt Mayor

Alpheus Hyatt Mayor (1901–1980) was an American art historian and curator at the Metropolitan Museum of Art, a leading figure in the study of prints, both old master prints and popular prints.

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