Old Vic in the context of "English National Opera"

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👉 Old Vic in the context of English National Opera

English National Opera (ENO) is a British opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English.

The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively.

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Old Vic in the context of Judi Dench

Dame Judith Olivia Dench (born 9 December 1934) is a retired English actress. Widely considered one of Britain's greatest actresses, she is noted for her versatile roles on stage and screen. Dench has garnered various accolades throughout a career that spans seven decades, including an Academy Award, a Tony Award, two Golden Globe Awards, four British Academy Television Awards, six British Academy Film Awards, and seven Olivier Awards.

Dench made her professional debut in 1957 with the Old Vic Company. Over the following few years she performed in several of Shakespeare's plays, in such roles as Ophelia in Hamlet, Juliet in Romeo and Juliet and Lady Macbeth in Macbeth. Although most of Dench's work during this period was in theatre, she also branched out into film work and won a BAFTA Award as Most Promising Newcomer. In 1968, she drew excellent reviews for her leading role of Sally Bowles in the musical Cabaret. Over the next two decades Dench established herself as one of the most significant British theatre performers, working for the National Theatre Company and the Royal Shakespeare Company.

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Old Vic in the context of John Gielgud

Sir Arthur John Gielgud (/ˈɡlɡʊd/ GHEEL-guud; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art (RADA), he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show The Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter.

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Old Vic in the context of Robert Shaw (actor)

Robert Archibald Shaw (9 August 1927 – 28 August 1978) was an English actor and writer. Beginning his career in theatre, Shaw joined the Shakespeare Memorial Theatre after the Second World War and appeared in productions of Macbeth, Henry VIII, Cymbeline, and other Shakespeare plays. With the Old Vic company (1951–52), he continued primarily in Shakespearean roles. In 1959, he starred in a West End production of The Long and the Short and the Tall.

Shaw was nominated for an Academy Award and a Golden Globe for his role as Henry VIII in the drama film A Man for All Seasons (1966). His other film roles included the mobster Doyle Lonnegan in The Sting (1973) and the shark hunter Quint in Jaws (1975). He also played roles in From Russia with Love (1963), Battle of Britain (1969), Young Winston (1972), The Taking of Pelham One Two Three (1974), Robin and Marian (1976), and Black Sunday and The Deep, both of which were released in 1977.

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