Oil paint in the context of "Paint"

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⭐ Core Definition: Oil paint

Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. Oil paint also has practical advantages over other paints, mainly because it is waterproof.

The earliest surviving examples of oil paint have been found in Asia from as early as the 7th century AD, in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, mostly on wood. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood, metal and fabric. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. The thickness of the coat has considerable bearing on the time required for drying: thin coats of oil paint dry relatively quickly.

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Oil paint in the context of Oil painting

Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel, or copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark".

The oldest known oil paintings were created by Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively, remained the usual choice.

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Oil paint in the context of Hand-colouring of photographs

Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting.

Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography, and some firms specialized in producing hand-coloured photographs.

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Oil paint in the context of Soybean oil

Soybean oil (British English: soyabean oil) is a vegetable oil extracted from soybean (Glycine max) legumes. It is one of the most widely consumed cooking oils and the second most consumed vegetable oil. As a drying oil, processed soybean oil is also used as a base for printing inks (soy ink) and oil paints.

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Oil paint in the context of Drying oil

A drying oil is an oil that hardens to a tough, solid film after a period of exposure to air, at room temperature. The oil hardens through a chemical reaction in which the components crosslink (and hence polymerize) by the action of oxygen (not through the evaporation of water or other solvents). Drying oils are a key component of oil paint and some varnishes. Some commonly used drying oils include linseed oil, tung oil, poppy seed oil, perilla oil, castor oil and walnut oil. The use of natural drying oils has declined over the past several decades, as they have been replaced by alkyd resins and other binders.

Since oxidation is the key to curing in these oils, those that are susceptible to chemical drying are often unsuitable for cooking, and are also highly susceptible to becoming rancid through autoxidation, the process by which fatty foods develop off-flavors. Rags, cloth, and paper saturated with drying oils may spontaneously combust (ignite) after a few hours as heat is released during the oxidation process.

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Oil paint in the context of Oil on copper

Oil on copper painting is the process of creating artworks by using oil paints with copper as the substrate. This is sometimes referred to as "copper as canvas" because canvas is the most well known surface material used for oil paintings.

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Oil paint in the context of Pastel

A pastel (US: /pæˈstɛl/) is an art medium that consists of powdered pigment and a binder. It can exist in a variety of forms, including a stick, a square, a pebble, and a pan of color, among other forms. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.

Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium.

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Oil paint in the context of Sketch (drawing)

A sketch (ultimately from Greek σχέδιος – schedios, "done extempore") is a rapidly executed freehand drawing that is not usually intended as a finished work. A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium.

Sketches can be made in any drawing medium. The term is most often applied to graphic work executed in a dry medium such as silverpoint, graphite, pencil, charcoal or pastel. It may also apply to drawings executed in pen and ink, digital input such as a digital pen, ballpoint pen, marker pen, water colour and oil paint. The latter two are generally referred to as "water colour sketches" and "oil sketches". A sculptor might model three-dimensional sketches in clay, plasticine or wax.

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Oil paint in the context of La Scapigliata

La Scapigliata (Italian for 'The Lady with Dishevelled Hair') is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.

There is no real consensus on the subject, date, history, or purpose of the painting. It shows an unidentified woman gazing downward while her hair fills the frame behind her. Many theories regarding the subject have been proposed: that it is a sketch for an uncompleted painting of Saint Anne; a study for the London version of the Virgin of the Rocks or Leonardo's lost painting of Leda and the Swan; or a painting left deliberately unfinished for its aesthetic value.

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Oil paint in the context of Gouache

Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: [ɡwaʃ]), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.

Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together.

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