Oil-on-canvas in the context of "Moonrise by the Sea"

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⭐ Core Definition: Oil-on-canvas

Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel, or copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark".

The oldest known oil paintings were created by Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively, remained the usual choice.

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👉 Oil-on-canvas in the context of Moonrise by the Sea

Moonrise by the Sea or Moonrise over the Sea (German: Mondaufgang am Meer) is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape.

Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the moon rising to the east above a band of clouds. In the distance are two sailing vessels, ghosting on a light breeze towards the spectators on the shore. The painting is probably a view of the Baltic Sea, near Friedrich's birthplace in Swedish Pomerania. It may be based on the beach at Stubbenkammer near Rügen.

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Oil-on-canvas in the context of In Summer (Renoir)

In Summer (French: En été) is an 1868 oil-on-canvas painting by Pierre-Auguste Renoir, a portrait of Lise Tréhot aged about 20.

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Oil-on-canvas in the context of At the Moulin Rouge, The Dance

At the Moulin Rouge, the Dance is an oil-on-canvas painted by French artist Henri de Toulouse-Lautrec. It was painted in 1890, and is the second of a number of graphic paintings by Toulouse-Lautrec depicting the Moulin Rouge cabaret built in Paris in 1889. It portrays two dancers dancing the can-can in the middle of the crowded dance hall. A recently discovered inscription by Toulouse-Lautrec on the back of the painting reads: "The instruction of the new ones by Valentine the Boneless." This means that the man to the left of the woman dancing is Valentin le désossé, a well-known dancer at the Moulin Rouge, and he is teaching the newest addition to the cabaret. To the right is a mysterious aristocratic woman in pink. The background also features many aristocratic people such as poet Edward Yeats, the club owner and even Toulouse-Lautrec's father. The work is currently displayed at the Philadelphia Art Museum.

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Oil-on-canvas in the context of The Signing of Peace in the Hall of Mirrors

The Signing of Peace in the Hall of Mirrors, Versailles, 28 June 1919 is an oil-on-canvas painting by Irish artist William Orpen, completed in 1919. It was one of the paintings commissioned from Orpen to commemorate the Peace Conference at Versailles in 1919. The work is held by the Imperial War Museum, in London.

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Oil-on-canvas in the context of Baker

A baker is a tradesperson who bakes and sometimes sells breads and other products made of flour by using an oven or other concentrated heat source. The place where a baker works is called a bakery.

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