Odessa in the context of "Rodion Malinovsky"

The Hare with Amber Eyes: A Hidden Inheritance (2010) is a family memoir by British ceramicist Edmund de Waal. De Waal tells the story of his family, the Ephrussi, once a very wealthy European Jewish banking dynasty, centred in Odessa, Vienna and Paris, and peers of the Rothschild family. The Ephrussis lost almost everything in 1938 when the Nazis confiscated their property, and were unable to recover most of their property after the war, including priceless artwork; an easily hidden collection of 264 Japanese netsuke miniature sculptures was saved, tucked away inside a mattress by Anna, a loyal maid at Palais Ephrussi in Vienna during the war years. The collection has been passed down through five generations of the Ephrussi family, providing a common thread for the story of its fortunes from 1871 to 2009.

Anarchism in Ukraine has its roots in the democratic and egalitarian organization of the Zaporozhian Cossacks, who inhabited the region up until the 18th century. Philosophical anarchism first emerged from the radical movement during the Ukrainian national revival, finding a literary expression in the works of Mykhailo Drahomanov, who was himself inspired by the libertarian socialism of Pierre-Joseph Proudhon. The spread of populist ideas by the Narodniks also lay the groundwork for the adoption of anarchism by Ukraine's working classes, gaining notable circulation in the Jewish communities of the Pale of Settlement.

By the outbreak of the 1905 Revolution, a specifically anarchist movement had risen to prominence in Ukraine. The ideas of anarcho-communism, anarcho-syndicalism and individualist anarchism all took root in Ukrainian revolutionary circles, with syndicalism itself developing a notably strong hold in Odesa, while acts of anarchist terrorism by cells such as the Black Banner became more commonplace. After the revolution was suppressed, Ukrainian anarchism began to reorganize itself, culminating in the outburst following the February Revolution, when Nestor Makhno returned to the country and began to organize among the peasantry.

New York City is home to the largest Russian or Russophone population in the Western Hemisphere. The largest Russian-American communities in New York City are located in Brighton Beach and Sheepshead Bay in Brooklyn. Brighton Beach has been nicknamed Little Odessa due to its population of Russian-speaking immigrants from the former Soviet Union.

Spiridon Palauzov (Спиридон Палаузов; July 16, 1818 in Odessa – August 17, 1872 in Pavlovsk, Saint Petersburg) was a Russian historian of Bulgarian descent who studied the medieval and modern history of Bulgaria, Romania, the Czech Republic, Hungary and the Austrian Empire.

He also participated in the organization of the Aprilov National High School in Gabrovo. He was the son of Nikolay Palauzov, who laid the stone at the foundation of Aprilov National High School with its first school. In 1832-1840 he studied at the Richelieu Lyceum in Odessa, and in 1840-1843 studied at the University of Bonn, Heidelberg University and Munich. On August 24, 1843, he defended a dissertation at the University of Munich on ancient Greek economy.

Alexander Gerschenkron (Russian: Александр Гершенкрон; 1 October 1904 – 26 October 1978) was an American economic historian and professor at Harvard University trained in the German historical school of economics.

Born into a Jewish family in Odessa, then part of the Russian Empire, now in Ukraine, Gerschenkron fled the country during the Russian Civil War in 1920 to Austria, where he attended the University of Vienna, earning a doctorate in 1928. After the Anschluss in 1938, he emigrated to the United States.

Arnold Borisovich Lakhovsky (Ukrainian: Арнольд Борисович Лаховський, Russian: Арнольд Борисович Лаховский, also known as Aaron Berkovich; born 1880 – 1937) was a painter and sculptor of Ukrainian-Jewish descent, he was known for his landscape paintings.

Lakhovsky completed his art education at the Art Academy of Odessa, and also in Munich and Saint Petersburg, where he eventually resided. In 1925 he emigrated to Paris, and his paintings were exhibited in an art museum there. Later in 1933 he finally moved to New York City and taught at Boston's School of the Museum of Fine Arts.

The Black Hundreds were reactionary, monarchist, and ultra-nationalist groups in Russia in the early 20th century. They were staunch supporters of the House of Romanov, and opposed any retreat from the autocracy of the reigning monarch. Their name arose from the medieval concept of "black", or common (non-noble) people, organized into militias.

The Black Hundreds were noted for extremism and incitement of pogroms, nationalistic Russocentric doctrines, as well as various xenophobic beliefs, including anti-Ukrainian sentiment, anti-Polish sentiment, and anti-Semitism.

Abram or Avraam Melnikov (Авраам Иванович Мельников; 1784—1854) was a Russian Neoclassical architect associated with the late phase of the Empire style. His teachers at the Imperial Academy of Arts included Andreyan Zakharov. He graduated with a gold medal and went to further his studies in Italy. Melnikov became de facto Dean of the Academy in 1831 but was not officially appointed until 1843.

Melnikov collaborated with sculptor Ivan Martos on the pedestals for his statues of Minin and Pozharsky in Red Square and Duc de Richelieu at the top of the Potemkin Stairs in Odessa. Apart from the Imperial School of Jurisprudence and the Old Believer Church of St. Nicholas (later converted into the Arctic and Antarctic Museum), Melnikov's major buildings are in New Russia and the Volga provinces.

The Odessa pogroms were a series of violent anti-Jewish riots and attacks in the multi-ethnic port city of Odessa in the 19th and early 20th centuries. Odessa had become a successful and cosmopolitan city known for liberal attitudes, and a hotbed of revolutionary activity in the Russian Empire, with a growing and vital Jewish community that had grown more prosperous along with the city, even though the majority still lived in abject poverty. The pogroms became an international cause célèbre for the Jewish diaspora. Notable pogroms occurred in 1821, 1849, 1859, 1871, 1881, 1900, 1905, and 1918–1919, resulting in hundreds of Jewish deaths, thousands of injuries, and destruction of property, devastating the community and driving emigration.

The causes of the pogroms included religious and ethnic discrimination, economic competition and resultant economic antisemitism, and political changes. Odessa's population included Greek, Jewish, Russian, Ukrainian, and other communities, with the Jewish population growing to become the second-largest group behind Russians. The earlier pogroms, such as those in 1859 and 1871, were initiated by Greeks with Russians joining in. After 1871, the pogromists were mainly Russian joined by ethnic Ukrainians. Pogromists came from all different classes and occupations. According to Jarrod Tanny, most modern-day historians argue that pre-1881 pogroms were "largely the product of frictions unleashed by modernization", rather than a resurgence of medieval antisemitism. The 1905 pogrom was markedly larger in scale, with over 500 casualties (80% Jewish), 300 injuries, and over 1600 homes and businesses damaged, and with heightened antisemitism spurred by economic and political turmoil. Historians such as Robert Weinberg and Shlomo Lambroza believe the police and hospital figures were likely an underestimate, with a range of estimates from likely over 800, to over 1000 killed, and approximately over 2000 or even up to 5000 wounded. Even the pre-20th century incidents were incited by perennial antisemitic tropes such as rumors of Jewish desecration of the church, conspiracy theories of Jewish complicity in assassinating the tsar or the patriarch, and blood libels.