Oceanus in the context of "Cronus"

⭐ In the context of Cronus, Oceanus is considered…

Ad spacer

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Oceanus in the context of Styx

In Greek mythology, Styx (/ˈstɪks/ ; Ancient Greek: Στύξ [stýks]; lit. "Shuddering"), also called the River Styx, is a goddess and one of the rivers of the Greek Underworld. Her parents were the Titans Oceanus and Tethys, and she was the wife of the Titan Pallas and the mother of Zelus, Nike, Kratos, and Bia. She sided with Zeus in his war against the Titans, and because of this, to honor her, Zeus decreed that the solemn oaths of the gods be sworn by the water of Styx.

↑ Return to Menu

Oceanus in the context of Father Tiber

Tiberinus is a figure in Roman mythology. He was the god of the Tiber River. He was added to the 3,000 rivers (sons of Oceanus and Tethys), as the genius of the Tiber.

↑ Return to Menu

Oceanus in the context of Early Greek cosmology

Early Greek cosmology refers to beliefs about the origins, development, and structure of the universe in Ancient Greece that existed before the development of Ancient Greek astronomy. The basic elements of this early cosmology included a flat earth, heaven, a cosmic ocean, the afterworld (Hades), and the netherworld (Tartarus). The first three were represented by the gods Gaia, Uranus, and Oceanus (or sometimes Pontus). Ancient Greek cosmology was related to ancient Near Eastern cosmology, and was ultimately replaced by a more systematic and demythologized approach found in ancient Greek astronomy. Its main sources are the poetry of Homer (the Iliad and the Odyssey), Hesiod (the Theogony and the Works and Days), and surviving fragments from Mimnermus.

Beginning in the 5th century BC, elements of the traditional Greek cosmos began to be modified and challenged. One of the earliest of these challenges came from the emergence of the view that the cosmos as a whole was spherical (advocated by Xenophanes, Parmenides, Empedocles, and others). The rotation of the spherical cosmos was said to explain the visible rotation of the stars (an idea called "vortex"). Soon, a spherical model of the earth itself was proposed, which gradually gained acceptance, although the flat earth view never entirely disappeared during either classical antiquity or late antiquity, continuing to receive support from geographers and others like Ctesias, Ephorus, Strabo, Tacitus, and the Epicureans. The last Greek advocate of the traditional cosmology was Cosmas Indicopleustes.

↑ Return to Menu

Oceanus in the context of Art in Ancient Greece

Ancient Greek art is the visual and applied arts, as well as the architecture, produced by the Hellenes or Greek peoples from the start of the Iron Age to the Hellenistic period, ending with Roman conquest of Greece at the Battle of Corinth in 146 BCE. It stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known.

↑ Return to Menu

Oceanus in the context of Oceanids

In Greek mythology, the Oceanids or Oceanides (/ˈsənɪdz, ˈʃənɪdz/ oh-SEE-ə-nidz, OH-shə-nidz; Ancient Greek: Ὠκεανίδες, romanizedŌkeanídes, sg. Ὠκεανίς, Ōkeanís) are the nymphs who were the three thousand (a number interpreted as meaning "innumerable") daughters of the Titans Oceanus and Tethys.

↑ Return to Menu

Oceanus in the context of Doris (Oceanid)

Doris (/ˈdrɪs/; Ancient Greek: Δωρίς/Δωρίδος means 'bounty'), in Greek mythology, was a sea goddess. She was one of the 3,000 Oceanids, daughters of the Titans Oceanus and Tethys.

↑ Return to Menu

Oceanus in the context of Tethys (mythology)

In Greek mythology, Tethys (/ˈtθɪs, ˈtɛ-/; Ancient Greek: Τηθύς, romanizedTēthýs) was one of the Titans, the children of Uranus (Sky) and Gaia (Earth), the sister and wife of the Titan Oceanus, and the mother of the river gods and the Oceanids. Although Tethys had no active role in Greek mythology and no established cults, she was depicted in mosaics decorating baths, pools, and triclinia in the Greek East, particularly in Antioch and its suburbs, either alone or with Oceanus.

↑ Return to Menu

Oceanus in the context of Greek underworld

In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanizedHáidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (psyche) is separated from the corpse and transported to the underworld. In early mythology (e.g., Homer's Iliad and Odyssey) the dead were indiscriminately grouped together and led a shadowy post-existence; however, in later mythology (e.g., Platonic philosophy) elements of post-mortem judgment began to emerge with good and bad people being separated (both spatially and with regards to treatment).

The underworld itself—commonly referred to as Hades, after its patron god, but also known by various metonyms—is described as being located at the periphery of the earth, either associated with the outer limits of the ocean (i.e., Oceanus, again also a god) or beneath the earth. Darkness and a lack of sunlight are common features associated with the underworld and, in this way, provide a direct contrast to both the 'normality' of the land of the living (where the sun shines) and also with the brightness associated with Mount Olympus (the realm of the gods). The underworld is also considered to be an invisible realm, which is understood both in relation to the permanent state of darkness but also a potential etymological link with Hades as the 'unseen place'. The underworld is made solely for the dead and so mortals do not enter it – with only a few heroic exceptions (who undertook a mythical catabasis: Heracles, Theseus, Orpheus, possibly also Odysseus, and in later Roman depictions Aeneas).

↑ Return to Menu

Oceanus in the context of Titans

In Greek mythology, the Titans (Ancient Greek: Τιτᾶνες, Tītânes; singular: Τιτάν, Tītā́n) were the deities that preceded the Olympians. According to the Theogony of Hesiod, they were the twelve children of the primordial deities Uranus (Sky) and Gaia (Earth). The six male Titans were Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus, and the six female Titans (called the Titanesses; Ancient Greek: Τιτανίδες, Tītānídes; singular: Τιτανίς, Tītānís) were Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys.

After Cronus married his sister Rhea, she bore the first generation of Olympians: the six siblings Zeus, Hera, Poseidon, Demeter, Hades, and Hestia. Certain other children of the Titans, such as Prometheus, Atlas, Helios, and Leto, are sometimes also called Titans.

↑ Return to Menu