Occult in the context of Coincidence


Occult in the context of Coincidence

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⭐ Core Definition: Occult

The occult (from Latin occultus 'hidden, secret') is a category of esoteric or supernatural beliefs and practices which generally fall outside the scope of organized religion and science, encompassing phenomena involving a 'hidden' or 'secret' agency, such as magic and mysticism. It can also refer to paranormal ideas such as extra-sensory perception and parapsychology.

The term occult sciences was used in 16th-century Europe to refer to astrology, alchemy, and natural magic. The term occultism emerged in 19th-century France, among figures such as Antoine Court de Gébelin. It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus, and in 1875 was introduced into the English language by the esotericist Helena Blavatsky.

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👉 Occult in the context of Coincidence

A coincidence is a remarkable concurrence of events or circumstances that have no apparent causal connection with one another. The perception of remarkable coincidences may lead to supernatural, occult, or paranormal claims, or it may lead to belief in fatalism, which is a doctrine that events will happen in the exact manner of a predetermined plan. In general, the perception of coincidence, for lack of more sophisticated explanations, can serve as a link to folk psychology and philosophy.

From a statistical perspective, coincidences are inevitable and often less remarkable than they may appear intuitively. Usually, coincidences are chance events with underestimated probability. An example is the birthday problem, which shows that the probability of two persons having the same birthday already exceeds 50% in a group of only 23 persons. Generalizations of the birthday problem are a key tool used for mathematically modelling coincidences.

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Occult in the context of Oracle

An oracle is a person or thing considered to provide insight, wise counsel or prophetic predictions, most notably including precognition of the future, inspired by deities. If done through occultic means, it is a form of divination.

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Occult in the context of Witchcraft

Witchcraft is the use of magic by a person called a witch. Traditionally, "witchcraft" means the use of magic to inflict supernatural harm or misfortune on others, and this remains the most common and widespread meaning. Though the idea of witchcraft is largely imaginary, it has nevertheless served in many cultures as a way to explain the presence of evil. The belief in witches has been found throughout history in a great number of societies worldwide. Most of these societies have used protective magic or counter-magic against witchcraft, and have shunned, banished, imprisoned, physically punished or killed alleged witches. Anthropologists use the term "witchcraft" for similar beliefs about harmful occult practices in different cultures, and these societies often use the term when speaking in English.

Belief in witchcraft as malevolent magic is attested from ancient Mesopotamia, and in Europe, belief in witches traces back to classical antiquity. In medieval and early modern Europe, accused witches were usually women who were believed to have secretly used black magic (maleficium) against their own community. Usually, accusations of witchcraft were made by neighbors of accused witches, and followed from social tensions. Witches were sometimes said to have communed with demons or with the Devil, though such accusations were mainly made against perceived opponents of the Church. It was thought witchcraft could be thwarted by white magic, provided by 'cunning folk' or 'wise people'. Suspected witches were often prosecuted and punished, if found guilty or simply believed to be guilty. European witch-hunts and witch trials in the early modern period led to tens of thousands of executions. While magical healers and midwives were sometimes accused of witchcraft, they made up a minority of those accused. European belief in witchcraft gradually dwindled during and after the Age of Enlightenment.

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Occult in the context of Magician (fantasy)

A magician, also known as an archmage, mage, magus, magic-user, spellcaster, enchanter/enchantress, sorcerer/sorceress, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians enjoy a rich history in mythology, legends, fiction, and folklore, and are common figures in works of fantasy, such as fantasy literature and role-playing games.

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Occult in the context of Western esotericism and arts

Western esotericism and the arts surveys documented intersections between Western esotericism—notably Hermeticism, Christian Kabbalah, Alchemy, and Astrology—and the visual arts, literature, and the performing arts from the late Middle Ages to the present. Scholarship highlights recurring vectors: Renaissance and early modern image–text programmes (emblems, alchemical series, Kabbalistic diagrams) that formalised "operative images"; encyclopedic displays and diagrams in early modern erudition; nineteenth-century Spirit photography and related "psychic" image technologies; fin de siècle milieux linking occult orders with salon culture; early twentieth-century abstraction tied to Theosophy/Anthroposophy; ritual poetics on stage and in experimental film; and later artist-authored Tarot and neo-alchemical process art.

Aby Warburg's reading of the Palazzo Schifanoia frescoes in Ferrara established a foundational model for interpreting astrological programs in Renaissance art, while Barbara Obrist documented the late-medieval shift toward serial illustration and diagrammatic representation in alchemical manuscripts. Early modern encyclopedic projects—epitomized by Athanasius Kircher—wove hieroglyphs, cosmology, and spectacular display into ambitious image-systems that influenced the period's visual culture. In parallel, historians of science and craft have emphasized how chymistry's "wider worlds" intersected with literature, theatre, and the visual arts. Classic studies have traced how esoteric metaphysics and "spiritual" aesthetics contributed to early abstraction (e.g., Wassily Kandinsky and Hilma af Klint), while recent scholarship reassesses the role of Spiritualism/Spiritism within abstract art and Surrealism's image-making and poetics.

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Occult in the context of Johannes Trithemius

Johannes Trithemius (/trɪˈθɛmiəs/; 1 February 1462 – 13 December 1516), born Johann Heidenberg, was a German Benedictine abbot and a polymath who was active in the German Renaissance as a lexicographer, chronicler, cryptographer, and occultist. He is considered the founder of modern cryptography (a claim shared with Leon Battista Alberti) and steganography, as well as the founder of bibliography and literary studies as branches of knowledge. He had considerable influence on the development of early modern and modern occultism. His students included Heinrich Cornelius Agrippa and Paracelsus.

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Occult in the context of Frankenstein

Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment that involved putting it together with different body parts. Shelley started writing the story when she was 18 and staying in Bath, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.

Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where, about a century earlier, Johann Konrad Dippel, an alchemist, had engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy Bysshe Shelley.

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Occult in the context of List of modern pagan movements

Modern paganism, also known as "contemporary" or "neopagan", encompasses a wide range of religious groups and individuals. These may include old occult groups, those that follow a New Age approach, those that try to reconstruct old ethnic religions, and followers of the pagan religion or Wicca.

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Occult in the context of Thaumaturgy

Thaumaturgy (/ˈθɔːmətɜːri/ ), especially in Christianity, is the art of performing prodigies or miracles. More generically, it refers to the practical application of magic to effect change in the physical world. Historically, thaumaturgy has been associated with a supernatural or divine ability, the manipulation of natural forces, the creation of wonders, and the performance of magical feats through esoteric knowledge and ritual practice. Unlike theurgy, which focuses on invoking divine powers, thaumaturgy is more concerned with utilizing occult principles to achieve specific outcomes, often in a tangible and observable manner. It is sometimes translated into English as wonderworking.

This concept has evolved from its ancient roots in magical traditions to its incorporation into modern Western esotericism. Thaumaturgy has been practiced by individuals seeking to exert influence over the material world through both subtle and overt magical means. It has played a significant role in the development of magical systems, particularly those that emphasize the practical aspects of esoteric work.

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Occult in the context of Ceremonial magic

Ceremonial magic (also known as magick, ritual magic, high magic or learned magic) encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner. It can be seen as an extension of ritual magic, and in most cases synonymous with it. Popularized by the Hermetic Order of the Golden Dawn, it draws on such schools of philosophical and occult thought as Hermetic Qabalah, Enochian magic, Thelema, and the magic of various grimoires. Ceremonial magic is part of Hermeticism and Western esotericism.

The synonym magick is an archaic spelling of 'magic' used during the Renaissance, which was revived by Aleister Crowley to differentiate occult magic from stage magic. He defined it as "the Science and Art of causing Change to occur in conformity with Will", including ordinary acts of will as well as ritual magic. Crowley wrote that "it is theoretically possible to cause in any object any change of which that object is capable by nature". John Symonds and Kenneth Grant attach a deeper occult significance to this preference.

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Occult in the context of John Dee

John Dee (13 July 1527 – December 1608 or March 1609) was an English mathematician, astronomer, teacher, astrologer, occultist, and alchemist. He was the court astronomer for, and advisor to, Elizabeth I, and spent much of his time on alchemy, divination, and Hermetic philosophy. As an antiquarian, he had one of the largest libraries in England at the time. As a political advisor, he advocated the foundation of English colonies in the New World to form a "British Empire", a term he is credited with coining.

Dee eventually left Elizabeth's service and went on a quest for knowledge of the occult and supernatural. He aligned himself with several individuals who may have been charlatans, travelled through Europe, and was accused of spying for the English Crown. Upon his return to England, he found his home and library vandalised. He eventually returned to the Queen's service, but was turned away when she was succeeded by James I. He died in poverty in London, and his gravesite is unknown.

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Occult in the context of Magico-religious

People who believe in magic can be found in all societies, regardless of whether they have organized religious hierarchies, including formal clergy, or more informal systems. Such concepts tend to appear more frequently in cultures based in polytheism, animism, or shamanism. Religion and magic became conceptually separated in the West where the distinction arose between supernatural events sanctioned by approved religious doctrine versus magic rooted in other religious sources. With the rise of Christianity this became characterised with the contrast between divine miracles versus folk religion, superstition, or occult speculation.

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Occult in the context of Eastern esotericism

Eastern esotericism is a term utilized by various scholars to describe a broad range of religious beliefs and practices originating from the Eastern world, characterized by esoteric, secretive, or occult elements. The classification of Eastern esotericism presents challenges, as it is influenced by varying geographical and cultural definitions of "Eastern" and "Western" contexts, particularly in relation to Islamic nations. The delineation of esotericism itself can vary among scholars, with some arguing that the concept is predominantly rooted in Western traditions. This perspective raises important questions regarding the applicability of a Western framework to non-Western practices, potentially leading to classifications that may not accurately reflect the complexities of these traditions. Conversely, other scholars propose a more globalized viewpoint, suggesting that comparable systems of secret knowledge and mystical practices exist across different cultures and warrant examination within a unified framework.

Despite these ongoing debates, the concept of Eastern esotericism has been adopted by many scholars as a relevant category for investigating the nuanced dimensions of spiritual life in various Eastern traditions. This includes elements found in Hinduism and Buddhism, where secret teachings, initiatory rites, and mystical experiences are significant. Additionally, Eastern esotericism encompasses a variety of ethnic religions and syncretic systems that integrate indigenous beliefs with other spiritual influences, thereby broadening the scope of study in this area. Overall, the term serves as a foundation for exploring the diverse and intricate landscape of esoteric thought and practice across the Eastern world.

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Occult in the context of Natural magic

Natural magic in the context of Renaissance magic is that part of the occult which deals with natural forces directly, as opposed to ceremonial magic which deals with the summoning of spirits. Natural magic sometimes makes use of physical substances from the natural world such as stones or herbs.

Natural magic so defined includes astrology, alchemy, and certain disciplines that would today be considered fields of natural science, such as astronomy and chemistry (divergently evolved from astrology and alchemy, respectively) or botany (from herbology). Jesuit scholar Athanasius Kircher wrote that "there are as many types of natural magic as there are subjects of applied sciences".

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Occult in the context of Automatic writing

Automatic writing, also called psychography, is a claimed psychic ability allowing a person to produce written words without consciously writing. Practitioners engage in automatic writing by holding a writing instrument and allowing alleged spirits to manipulate the practitioner's hand. The instrument may be a standard writing instrument, or it may be one specially designed for automatic writing, such as a planchette or a ouija board.

Religious and spiritual traditions have incorporated automatic writing, including Fuji in Chinese folk religion and the Enochian language associated with Enochian magic. In the modern era, it is associated with Spiritualism and the occult, with notable practitioners including W. B. Yeats and Arthur Conan Doyle. Claims associated with automatic writing are unfalsifiable, while some documented examples result from the ideomotor phenomenon.

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