Objet d'art in the context of "Pottery of ancient Greece"

⭐ In the context of Pottery of ancient Greece, *objets d'art* were most notably exemplified by which of the following practices?

Ad spacer

⭐ Core Definition: Objet d'art

In art history, the French term objet d'art (/ˌɒbʒeÉȘ ˈdɑːr/ ; French pronunciation: [ɔbʒɛ daʁ]) describes an ornamental work of art, and the term objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce objets d’art in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding.

The National Maritime Museum, Greenwich, London, describes their accumulated artworks as a: "collection of objets d’art [which] comprises over 800 objects. These are mostly small, decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections." The artwork collection also includes metal curtain ties, a lacquered papier-machĂ© tray, tobacco boxes, cigarette cases, dĂ©coupage (cut-paper items), portrait miniatures, a gilt-brass clock finial, plaques, statuettes, plaquettes, a horse brass, a metal pipe tamper, a small glass painting, et cetera.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Objet d'art in the context of Pottery of ancient Greece

Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.

Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.

↓ Explore More Topics
In this Dossier

Objet d'art in the context of High culture

In a society, high culture encompasses cultural objects of aesthetic value that a society collectively esteems as exemplary works of art, as well as the literature, music, history, and philosophy a society considers representative of its culture.

In popular usage, the term high culture identifies the culture either of the upper class (an aristocracy) or of a status class (the intelligentsia); "high culture" also identifies a society's common repository of broad-range knowledge and tradition (folk culture) that transcends its social-class system. Sociologically, the term is contrasted with "low culture", which comprises the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the philistines, and hoi polloi (the masses), though the upper classes very often also enjoy low culture.

↑ Return to Menu

Objet d'art in the context of Stained glass window

Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from glasswork, for example in the famous lamps of Louis Comfort Tiffany.

As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, say, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured silver stain are often used to enhance the design. The term stained glass is also applied to enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln.

↑ Return to Menu

Objet d'art in the context of Musée Rodin

The Musée Rodin (English: Rodin Museum) of Paris, France, is an art museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the HÎtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon, Hauts-de-Seine. The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d'art. The museum receives 700,000 visitors annually.

While living in the Villa des Brillants, Rodin used the HÎtel Biron as his workshop from 1908 onwards. HÎtel Biron had been designed by the architect Jean Aubert and Rodin donated his entire collection of sculptures, along with paintings by Vincent van Gogh, Claude Monet and Pierre-Auguste Renoir he had acquired to the French State on the condition that they turn the buildings into a museum dedicated to his works. The Musée Rodin contains most of Rodin's significant creations, including The Thinker, The Kiss and The Gates of Hell. Many of his sculptures are displayed in the museum's extensive garden. The museum includes a room dedicated to the works of Camille Claudel and one of the two castings of The Mature Age.

↑ Return to Menu

Objet d'art in the context of Alabaster

Alabaster is a soft rock used for carvings and as a source of plaster powder. Archaeologists, geologists, and the stone industry have different definitions for the word alabaster. In archaeology, the term alabaster includes objects and artefacts made from two different minerals: (i) the fine-grained, massive type of gypsum, and (ii) the fine-grained, banded type of calcite.

Chemically, gypsum is a hydrous sulfate of calcium, whereas calcite is a carbonate of calcium. As types of alabaster, gypsum and calcite have similar properties, such as light color, translucence, and soft stones that can be carved and sculpted; thus the historical use and application of alabaster for the production of carved, decorative artefacts and objets d’art. Calcite alabaster also is known as onyx-marble, Egyptian alabaster, and Oriental alabaster, which terms usually describe either a compact, banded travertine stone or a stalagmitic limestone colored with swirling bands of cream and brown.

↑ Return to Menu

Objet d'art in the context of Ancient Greek vase painting

Pottery, due to its relative durability, comprises a large part of the archaeological record of [[ancient Greece]. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.

Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.

↑ Return to Menu

Objet d'art in the context of Gustav Klimt

Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and a founding member of the Vienna Secession movement. His work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. He is best known for The Kiss and Portrait of Adele Bloch-Bauer I. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.

Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticised as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger peer Egon Schiele.

↑ Return to Menu

Objet d'art in the context of Stained glass

Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from glasswork, for example in the famous lamps of Louis Comfort Tiffany.

As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured silver stain are often used to enhance the design. The term stained glass is also applied to enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln.

↑ Return to Menu