Oba of Benin in the context of "Edo people"

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⭐ Core Definition: Oba of Benin

The Oba of Benin is the traditional ruler and the custodian of the culture of the Edo people and all Edoid people. The then Kingdom of Benin (not to be confused with the modern-day and unrelated Republic of Benin, which was then known as Dahomey) has continued to be mostly populated by the Edo (also known as Benin ethnic group). The dynasty is sometimes called the "Eweka dynasty", after its first ruler, Eweka I, and was preceded by the Ogiso monarchy.

In 1897, a British military force of approximately 1,200 men under the command of Sir Harry Rawson mounted the Benin punitive Expedition. The force was dispatched in retaliation to the ambush of a British party, at Ugbine village near Gwato on 4 January 1897 by a group of Benin soldiers who were acting without orders from the Oba; the ambush had led to the deaths of all but two of the British party. The British force captured the capital of the Kingdom of Benin, sacking and burning the city while forcing the Oba of Benin, Ovonramwen, into a six-month exile. The expeditionary force consisted of both indigenous soldiers and British officers based in colonial-era Nigeria. Numerous artworks (collectively known as the Benin Bronzes) looted from the city palace were sold off to defray the costs of the expedition. Ovonramwen died in 1914, his throne never having been restored to him. His son, grandson, and now his great-grandson have preserved their title and status as traditional rulers in modern-day Nigeria.

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👉 Oba of Benin in the context of Edo people

The Edo people, also referred to as the Benin people, are an Edoid-speaking ethnic group. They are prominently native to the Edo South senatorial district which make up seven local government areas of Edo State, Nigeria. They are speakers of the Edo language and are the descendants of the founders of the Benin Kingdom, the Ogiso. They are closely related to other Edoid ethnic groups, such as the Esan, the Etsakọ, the Isoko, the Owan and the Urhobo as well as other southern ethnic groups.

The names Benin and Bini are Portuguese corruptions, ultimately from the word Ubini, which came into use during the reign of Oba (ruler) Ewuare, c. 1440. Ubini is an Edo word meaning 'livable', used by Pa Idu, the progenitor of the Edo state people, to describe the area found as a livable locale during their sojourn from Egypt. Ubini was later corrupted to Bini by the mixed ethnicities living together at the centre; and further corrupted to Benin around 1485, when the Portuguese began trade relations with Oba Ewuare giving them coral beads, which the Edo people call 'Ivie'.

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Oba of Benin in the context of Walls of Benin

The Benin Moat (Edo: Iyanuwo), also known as the Benin City Iya, the Inner City Iya of Benin or the Wall of Benin, is a large earthwork within Benin City in Nigeria's Edo state, which formerly encircled the city at the time of the Benin Empire. It is the central part of a series of connected earthworks surrounding the city which are collectively known as the 'Benin City Walls', consisting of the massive Inner City earthwork and much smaller, though more extensive Outer City earthworks. Other earthworks are spread out across Edo State (known as the rural iya), and all of these earthworks are sometimes referred to collectively as 'the Walls of Benin'. All of these earthworks are known as Iya in the Edo language. With the exception of a small part of the Benin City Iya, these structures are not really 'walls' but rather linear earthworks, consisting of a ditch and earth rampart known as a 'dump rampart'. The Inner City Iya was built on a significantly larger scale with much taller ramparts and deeper ditches than any of the surrounding earthworks or other earthworks spread across the country, many of which are described as having a 'slight' and 'casual' profile. Most of these earthworks only served to delineate boundaries, whereas the Inner City Iya served a defensive purpose. Historical European accounts of the 'Benin Moat' or 'Benin City Wall' probably only refer to the Inner City Iya, though the accounts sometimes differ in their description of its structure. Several wooden entrance gates are said to have existed, but 19th century accounts make no mention of them and their remains have yet to be identified by archeological research. The Inner City Iya had a total length of approximately 12 kilometres (7.45 miles), though much of it has disappeared due to urban expansion and destruction in the modern era. The combined length of all of the earthworks across the entire country, including ditches and ramparts and boundary traces, has been estimated to be approximately 16,000 kilometres (9,900 mi), covering about 6,500 square kilometres (2,500 sq mi) of land, though little remains today. Whilst some sources have erroneously referred to these earthworks as comprising a single built structure, they actually consist of many different structures created at different times, some of which are connected and others which are not. These earthworks have deep historical roots, with evidence suggesting their existence before the establishment of the Oba monarchy. Construction may have begun as early as 800 AD, continuing up to the modern era. The Inner City Iya itself was built in c. 1460 AD. Its construction involved large-scale manual labour and the repurposing of earth from the outer ditch to build the inner rampart. It is estimated that a labour force of 5,000 men, working 10 hours a day, could have completed the work in 97 days, within the period of a single dry season.

Today, remnants of the Iya can still be found in Benin City, although urbanisation and land disputes pose challenges to their preservation. Recognised for their historical significance, the Benin Iya have been placed on a tentative list of Nigerian World Heritage Sites, though they have yet to be included in the official list by UNESCO. The Guinness Book of World Records describes 'The Linear Earthworks of Benin and Isha' as "the longest earthworks of the pre-mechanical era", though this refers to the estimated length of all the earthworks and boundary traces across the country combined and not specifically to the moat and rampart surrounding Benin City.

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Oba of Benin in the context of Ewuare

Ewuare (also known as Ewuare the Great or Ewuare I), originally known as Prince Ogun, was the twelfth Oba of the Benin Empire from 1440 until 1473. Ewuare became king in a violent coup against his brother Uwaifiokun which destroyed much of Benin City. After the war, Ewuare rebuilt much of the city of Benin, reformed political structures in the kingdom, greatly expanded the territory of the kingdom, and fostered the arts and festivals. He left a significant legacy in the Kingdom of Benin

Ewuare was most likely born in the Benin Royal Palace in Benin City and he wasn’t proclaimed heir. Originally named Prince Ogun, he was an insignificant member of the royal house, even challenged from birth.

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Oba of Benin in the context of Oba (ruler)

Oba (Yoruba: ọba, lit.'King') is a pre-nominal honorific for kings in Yorubaland, and by extension the Kingdom of Benin.

According to Yoruba mythology, the first oba was Oduduwa, the legendary progenitor of the Yoruba people. Many royal lineages claim descent from him, including that of the Ooni of Ife, Alaafin of Oyo, Awujale of Ijebuland, Oba of Benin, Olu of Warri and many others. Obas served as the spiritual, cultural, and sometimes political leaders of a town, city, or kingdom. In the present day Obas are highly respected figures who trace their lineage back to the earliest Yoruba kingdoms, particularly Ile-Ife, which is considered the spiritual and historical origin of the Yoruba. Although the Benin Kingdom is Edo and not located within Yorubaland, its Oba ruling dynasty traces its origin to Ile-Ife.

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Oba of Benin in the context of Royal Palace of the Oba of Benin

6°19′56″N 5°37′12″E / 6.33222°N 5.62000°E / 6.33222; 5.62000

The Royal Palace of the Oba of Benin, located in Benin City, Nigeria, is notable as the home of the Oba of Benin and other royals.

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Oba of Benin in the context of Benin art

Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin. In terms of specific imagery, leopards are identifying figures to represent the Oba of Benin as a competent and dominant force in their territory.

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Oba of Benin in the context of Esigie

Esigie (also spelt Oseigie), originally known as Osawe, was the son of Oba Ozolua, who reigned in the late 15th century, and his second wife, Queen Idia. He was the sixteenth Oba who ruled the medieval Benin Kingdom, now Benin City, Edo State, Nigeria from c. 1504 – c. 1550. Works of art commissioned by Esigie are held in prominent museums including the Metropolitan Museum of Art and the British Museum.

After Ozolua's death, Esigie controlled Benin City, while his brother Arhuaran controlled Udo, a town about 30 kilometres (20 mi) northwest of Benin City, that was nearly its equal in size and influence. Following a bitter power struggle with Arhuaran, and with major assistance and support from his mother Idia, Esigie gathered the Benin army at Unuame on the river Osse and from there launched an attack and overthrew Arhuanran. Esigie became Oba of Benin and would later fend off an attack from the Igala people.

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