Nōgaku in the context of "Kyōgen"

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⭐ Core Definition: Nōgaku

Nōgaku (能楽; Japanese pronunciation: [noː.ɡa.kɯ, -ŋa-]) is one of the traditional styles of Japanese theater. It is composed of the lyric drama noh, and the comic theater kyōgen (狂言). Traditionally, both types of theatre are performed together, the kyōgen being interposed between the pieces of noh during a day of performances.

It has influenced the Bunraku, or Japanese puppet theatre as well as Kabuki.

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👉 Nōgaku in the context of Kyōgen

Kyōgen (狂言; Japanese pronunciation: [kʲoː.ɡeꜜɴ, -ŋeꜜɴ]) is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts on the same stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn Noh theater; kyōgen is a comic form, and its primary goal is to make its audience laugh.

Kyōgen together with Noh is part of Nōgaku theatre.

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Nōgaku in the context of Noh

Noh (, ; Japanese pronunciation: [no(ꜜ)ː], Sino-Japanese for "ability") is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the iemoto system.

Although the terms Noh and nōgaku are sometimes used interchangeably, nōgaku encompasses both Noh and kyōgen. Traditionally, a full nōgaku program included several Noh plays with comedic kyōgen plays in between; an abbreviated program of two Noh plays with one kyōgen piece has become common today.

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