Noh in the context of "Kyōgen"

A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound.

Jacques Copeau, strongly influenced by commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been included in the list of Intangible Cultural Heritage elements in France since 2017.

Japanese festivals, or matsuri (Japanese: 祭り), are traditional festive occasions often celebrated with dance and music in Japan. The origin of the word matsuri is related to the kami (神, Shinto deities); there are theories that the word matsuri is derived from matsu (待つ) meaning "to wait (for the kami to descend)", tatematsuru (献る) meaning "to make offerings to the kami", and matsurau (奉う) meaning "to obey the kami". The theory that it is derived from matsurau is the most popular.

It is estimated that there are between 100,000 and 300,000 festivals across Japan, generating an annual economic impact of 530 billion yen as of 2019. As of 2024, 33 of these festivals have been registered as UNESCO Intangible Cultural Heritage Lists as "Yama, Hoko, Yatai, float festivals in Japan". Various folk dances, costume processions, kagura, dengaku, bugaku, and noh performed at festivals are also registered as UNESCO Intangible Cultural Heritage Lists. For example, 41 folk dances including bon odori from various regions of Japan are registered as "Furyu-odori" and 10 costume processions including namahage are registered as "Raihō-shin".

Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.

Modern Japanese theatre includes shingeki (experimental Western-style theatre), shinpa (new school theatre) and shōgekijō (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan.

Inari Ōkami (Japanese: 稲荷大神), also called Ō-Inari (大稲荷), is the Japanese kami of foxes, fertility, rice, tea, sake, agriculture and industry, and general prosperity and worldly success, and is one of the principal kami of Shinto. The name Inari can be literally translated into "rice-bearer". In earlier Japan, Inari was also the patron of swordsmiths and merchants. Alternatingly-represented as male and female, Inari is sometimes seen as a collective of three or five individual kami. Inari appears to have been worshipped since the founding of a shrine at Inari Mountain in 711 CE, although some scholars believe that worship started in the late 5th century.

By the 16th century, Inari had become the patron of blacksmiths and the protector of warriors, and worship of Inari spread across Japan in the Edo period. Inari is a popular figure in both Shinto and Buddhist beliefs in Japan. More than one-third (40,000) of the Shinto shrines in Japan are dedicated to Inari. Modern corporations, such as cosmetic company Shiseido, continue to revere Inari as a patron kami, with shrines atop their corporate headquarters.

Iemoto (家元, lit. 'family foundation') is a Japanese term used to refer to the founder or current Grand Master of a certain school of traditional Japanese art. It is used synonymously with the term sōke (宗家) when it refers to the family or house that the iemoto is head of and represents.

The word iemoto is also used to describe a system of familial generations in traditional Japanese arts such as tea ceremony (including sencha), ikebana, Noh, calligraphy, traditional Japanese dance, traditional Japanese music, the Japanese art of incense appreciation (kōdō), and Japanese martial arts. Shogi and Go once used the iemoto system as well. The iemoto system is characterized by a hierarchical structure and the supreme authority of the iemoto, who has inherited the secret traditions of the school from the previous iemoto.

Nōgaku (能楽; Japanese pronunciation: [noː.ɡa.kɯ, -ŋa-]) is one of the traditional styles of Japanese theater. It is composed of the lyric drama noh, and the comic theater kyōgen (狂言). Traditionally, both types of theatre are performed together, the kyōgen being interposed between the pieces of noh during a day of performances.

It has influenced the Bunraku, or Japanese puppet theatre as well as Kabuki.

Dengaku (田楽) were rustic Japanese celebrations that can be classified into two types: dengaku that developed as a musical accompaniment to rice planting observances, and the dengaku dances that developed in conjunction with sangaku. The dengaku celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of dengaku is the sasara, a wooden percussive instrument clapper, though there are other instruments that can be used.

In the Eiga Monogatari, there is a detailed description of the rice-planting dengaku. After being brought to the aristocrats, dengaku flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573).