Nyquist frequency in the context of "Comparison of analog and digital recording"

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⭐ Core Definition: Nyquist frequency

In signal processing, the Nyquist frequency (or folding frequency), named after Harry Nyquist, is a characteristic of a sampler, which converts a continuous function or signal into a discrete sequence. For a given sampling rate (samples per second), the Nyquist frequency (cycles per second) is the frequency whose cycle-length (or period) is twice the interval between samples, thus 0.5 cycle/sample. For example, audio CDs have a sampling rate of 44100 samples/second. At 0.5 cycle/sample, the corresponding Nyquist frequency is 22050 cycles/second (Hz). Conversely, the Nyquist rate for sampling a 22050 Hz signal is 44100 samples/second.

When the highest frequency (bandwidth) of a signal is less than the Nyquist frequency of the sampler, the resulting discrete-time sequence is said to be free of the distortion known as aliasing, and the corresponding sample rate is said to be above the Nyquist rate for that particular signal.

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👉 Nyquist frequency in the context of Comparison of analog and digital recording

Sound can be recorded and stored and played using either digital or analog techniques. Both techniques introduce errors and distortions in the sound, and these methods can be systematically compared. Musicians and listeners have argued over the superiority of digital versus analog sound recordings. Arguments for analog systems include the absence of fundamental error mechanisms which are present in digital audio systems, including aliasing and associated anti-aliasing filter implementation, jitter and quantization noise. Advocates of digital point to the high levels of performance possible with digital audio, including excellent linearity in the audible band and low levels of noise and distortion.

Two prominent differences in performance between the two methods are the bandwidth and the signal-to-noise ratio (S/N ratio). The bandwidth of the digital system is determined, according to the Nyquist frequency, by the sample rate used. The bandwidth of an analog system is dependent on the physical and electronic capabilities of the analog circuits. The S/N ratio of a digital system may be limited by the bit depth of the digitization process, but the electronic implementation of conversion circuits introduces additional noise. In an analog system, other natural analog noise sources exist, such as flicker noise and imperfections in the recording medium. Other performance differences are specific to the systems under comparison, such as the ability for more transparent filtering algorithms in digital systems and the harmonic saturation and speed variations of analog systems.

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Nyquist frequency in the context of Analog signals

An analog signal (American English) or analogue signal (British and Commonwealth English) is any signal, typically a continuous-time signal, representing some other quantity, i.e., analogous to another quantity. For example, in an analog audio signal, the instantaneous signal voltage varies in a manner analogous to the pressure of the sound waves.

In contrast, a digital signal represents the original time-varying quantity as a sampled sequence of quantized numeric values, typically but not necessarily in the form of a binary value. Digital sampling imposes some bandwidth and dynamic range constraints on the representation and adds quantization noise.

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Nyquist frequency in the context of Aliasing

In signal processing and related disciplines, aliasing is a phenomenon that a reconstructed signal from samples of the original signal contains low frequency components that are not present in the original one. This is caused when, in the original signal, there are components at frequency exceeding a certain frequency called Nyquist frequency, , where is the sampling frequency (undersampling). This is because typical reconstruction methods use low frequency components while there are a number of frequency components, called aliases, which sampling result in the identical sample. It also often refers to the distortion or artifact that results when a signal reconstructed from samples is different from the original continuous signal.

Aliasing can occur in signals sampled in time, for instance in digital audio or the stroboscopic effect, and is referred to as temporal aliasing. Aliasing in spatially sampled signals (e.g., moiré patterns in digital images) is referred to as spatial aliasing.

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Nyquist frequency in the context of Nyquist rate

In signal processing, the Nyquist rate, named after Harry Nyquist, is a value equal to twice the highest frequency (bandwidth) of a given function or signal. It has units of samples per unit time, conventionally expressed as samples per second, or hertz (Hz). When the signal is sampled at a higher sample rate (see § Critical frequency), the resulting discrete-time sequence is said to be free of the distortion known as aliasing. Conversely, for a given sample rate the corresponding Nyquist frequency is one-half the sample rate. Note that the Nyquist rate is a property of a continuous-time signal, whereas Nyquist frequency is a property of a discrete-time system.

The term Nyquist rate is also used in a different context with units of symbols per second, which is actually the field in which Harry Nyquist was working. In that context it is an upper bound for the symbol rate across a bandwidth-limited baseband channel such as a telegraph line or passband channel such as a limited radio frequency band or a frequency division multiplex channel.

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