Norse Mythology in the context of "Fárbauti"

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⭐ Core Definition: Norse Mythology

Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.

Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds that flank a central sacred tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök when an immense battle occurs between the gods and their enemies, and the world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world.

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Norse Mythology in the context of Völuspá

Völuspá (also Vǫluspá, Vǫlospá, or Vǫluspǫ́; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the Poetic Edda. It dates back to the tenth century and tells the story from Norse Mythology of the creation of the world, its coming end, and its subsequent rebirth that is related to the audience by a völva addressing Odin. Her name is given twice as Heiðr. The poem is one of the most important primary sources for the study of Norse mythology. Parts of the poem appear in the Prose Edda, but the earliest known wholly preserved version of the poem is in the Codex Regius and Hauksbók manuscripts.

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Norse Mythology in the context of Hair-cap moss

Polytrichum is a genus of mosses — commonly called haircap moss or hair moss — which contains approximately 70 species that have a cosmopolitan distribution.The genus Polytrichum has a number of closely related sporophytic characters. The scientific name is derived from the Ancient Greek words polys, meaning "many", and thrix, meaning "hair". This name was used in ancient times to refer to plants with fine, hairlike parts, including mosses, but this application specifically refers to the hairy calyptras found on young sporophytes. A similar naming related to hair appears in Old Norse, haddr silfjar, "hair of Sif", goddess from Norse Mythology, wife of the god Thor. There are two major sections of Polytrichum species. The first — section Polytrichum — has narrow, toothed, and relatively erect leaf margins. The other — section Juniperifolia — has broad, entire, and sharply inflexed leaf margins that enclose the lamellae on the upper leaf surface.

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Norse Mythology in the context of Gram (mythology)

In Germanic mythology, Gram, in Norse legend (Old Norse: Gramr, "ill-tempered"), or Balmung, in the Middle High German epic poem Nibelungenlied, is a magical godlike sword, specifically the sword that the hero Sigurd used to kill the dragon Fafnir. It is primarily used by the Völsungs in the Völsung Cycle, however, it is also seen in other legends, such as the Thidrekssaga in which it is wielded by Hildebrand.

The myth of Gram may be related to the British myth of "the sword in the stone", Excalibur, as Gram has been thrust into a tree, from which only the hero Sigmund can pull it out, much like how Excalibur only can be pulled out by the true king of England, King Arthur. The myth of Gram being broken and then reforged was also the inspiration of Tolkien's sword Narsil.

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