None but the Brave in the context of "Kauaʻi"

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⭐ Core Definition: None but the Brave

None but the Brave  is a 1965 anti-war film produced and directed by Frank Sinatra from a screenplay by John Twist and Katsuya Susaki. The film stars Sinatra, Clint Walker, Tommy Sands, Brad Dexter, Tony Bill, and Sammy Jackson as U.S. Marines, and Tatsuya Mihashi, Takeshi Kato, Homare Suguro, Hisao Dazai, Kenji Sahara, and Mashahiko Tanimura as Imperial Japanese soldiers. Stranded on the same uninhabited island during the Pacific War, the two opposing platoons are forced to cooperate to survive.

The film was the first American-Japanese co-production to be shot in the United States, and Sinatra's sole directorial effort. Japanese co-producer Kikumaru Okuda conceived the story. Raoul Walsh, who initially planned to direct, collaborated with Twist on the script before selling it to Sinatra in late 1963. Principal photography commenced in April 1964 on the Hawaiian island of Kauaʻi, and wrapped that June at Warner Bros. Studios Burbank, with a $4 million budget. While Sinatra directed most scenes, Kazuo Inoue helmed those featuring only the Japanese cast. During a filming break, Sinatra was saved from drowning by co-star Dexter, enabling production to proceed as scheduled. Special effects, directed by Eiji Tsuburaya, were shot between May and August 1964. John Williams composed the score, with Kenjiro Hirose advising on Japanese music.

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None but the Brave in the context of John Williams

John Towner Williams (born February 8, 1932) is an American composer and conductor. Over his seven-decade career, he has composed many of the best known scores in film history. His compositional style blends romanticism, impressionism, and atonal music with complex orchestration. Best known for his collaborations with George Lucas and Steven Spielberg, he has received numerous accolades, including 26 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards, and four Golden Globe Awards. With a total of 54 Academy Award nominations, he is the second-most nominated person in the award's history, after Walt Disney. He is also the oldest Academy Award nominee in any category, receiving a nomination at 91 years old.

Williams's early work as a film composer includes None but the Brave (1965), Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images and The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score/Best Score Adaptation for Fiddler on the Roof (1971); score adaptation of the original music by Jerry Bock), Jaws (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler's List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Hook (1991), Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022). He also scored Superman (1978) and two of its sequels, the first two Home Alone films (1990–1992), and the first three Harry Potter films (2001–2004). Outside of his long-term collaborations with Spielberg and Lucas, Williams has composed the scores for films directed by William Wyler, Clint Eastwood, Alfred Hitchcock, Brian De Palma, John Badham, George Miller, Oliver Stone, Chris Columbus, Ron Howard, Barry Levinson, John Singleton, Alan Parker, Alfonso Cuarón, and Rob Marshall.

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