Non-lexical vocables in music in the context of "Scat singing"

Play Trivia Questions online!

or

Skip to study material about Non-lexical vocables in music in the context of "Scat singing"

Ad spacer

⭐ Core Definition: Non-lexical vocables in music

Non-lexical vocables, also known as wordless vocals, are a form of nonsense syllable used in a wide variety of music. Common English examples are "la la la", "na na na" and "da da da", or the improvised nonsense sounds used in scat singing. Non-lexical vocables are found in a wide range of music from around the world and across many genres of music, and may be mixed with meaningful text in a given song or performance.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Non-lexical vocables in music in the context of Scat singing

Originating in vocal jazz, scat singing or scatting is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice solely as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos.

↓ Explore More Topics
In this Dossier

Non-lexical vocables in music in the context of Rapping

Rapping (also dropping, rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music".

Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult game called playing the dozens (see Battle rap and Diss), and 1960s African-American poetry. Stemming from the hip-hop cultural movement, rap music originated in the Bronx, New York City, in the early 1970s and became part of popular music later that decade. Rapping developed from the announcements made over the microphone at parties by DJs and MCs, evolving into more complex lyrical performances.

↑ Return to Menu

Non-lexical vocables in music in the context of Nigun

A nigun (Hebrew: ניגון, 'tune' or 'melody'; pl. nigunim) or niggun (pl. niggunim) is a form of Ashkenazi Jewish vocal music sung in group settings. Nigunim are melodic tunes, often using repetitive non-lexical vocables such as "bim-bim-bam", "lai-lai-lai", "yai-yai-yai", or "ai-ai-ai" rather than with formal lyrics. Sometimes, a nigun is expressed as a mystical musical form of Jewish prayer or glossolalia. Hebrew Biblical verses or quotes from other classical Jewish texts are sometimes sung repetitively to form a nigun. Some nigunim are sung as prayers of lament, while others may be joyous or victorious in theme.

↑ Return to Menu

Non-lexical vocables in music in the context of Vocable

In the broadest sense of the word, a vocable (from Latin: vocabulum) is any identifiable utterance or writing, such as a word or term, that is fixed by their language and culture. The use of the term for words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English interjections of assent and denial, uh-huh /əˈhʌ/ and uh-uh /ˈʌʔə/, or the interjection of error, uh-oh /ˈʌʔ/.

Such non-lexical vocables are often used in music, for example la la la or dum dee dum, or in magical incantations, such as abra-cadabra. Scat singing is essentially all vocables. Many Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as Yai nai nai or Yai dai dai.

↑ Return to Menu