Nirmāṇakāya in the context of "Padmasambhāva"

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⭐ Core Definition: Nirmāṇakāya

Nirmāṇakāya (Chinese: 應身; pinyin: yīngshēn; Tibetan: སྤྲུལ་སྐུ་, tulku, Wylie: sprul sku) is the third aspect of the trikāya and the physical manifestation of a Buddha in time and space. In Vajrayāna it is described as "the dimension of ceaseless manifestation".

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👉 Nirmāṇakāya in the context of Padmasambhāva

Padmasambhava ('Born from a Lotus'), also known as Guru Rinpoche ('Precious Guru'), was a semi-legendary tantric Buddhist Vajra master from medieval India, who according to hagiographical sources fully revealed the Vajrayana in Tibet, circa 8th – 9th centuries. He is considered an emanation or Nirmāṇakāya of Shakyamuni Buddha as foretold by the Buddha himself. According to early Tibetan sources including the Testament of Ba, he came to Tibet in the 8th century and designed Samye Monastery, the first Buddhist monastery in Tibet during the reign of King Trisong Detsen. He, the king, and Khenpo Shantarakshita are also responsible for creating the Tibetan Canon through translating all of the Buddha's teachings and their commentaries into the Tibetan language.

According to Lewis Doney, while his historical authenticity was questioned by earlier Tibetologists, it is now "cautiously accepted.” Padmasambhava himself was recorded as saying he was a historical person, and his footprints left in rocks are evidence. Padmasambhava later came to be viewed as a central figure in the transmission of Buddhism to Tibet. Starting from around the 12th century, hagiographies concerning Padmasambhava were written. These works expanded the profile and activities of Padmasambhava, now seen as taming all the Tibetan spirits and gods, and concealing various secret texts (terma) for future tertöns. Nyangral Nyima Özer (1124–1192) was the author of the Zangling-ma (Jeweled Rosary), the earliest biography of Padmasambhava. He has been called "one of the main architects of the Padmasambhava mythos – who first linked Padmasambhava to the Great Perfection in a high-profile manner."

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Nirmāṇakāya in the context of Vairocana

Vairocana ("The Sun", "Solar" or "Shining" in Sanskrit), also known as Mahāvairocana (Great Sun), is a major Buddha from Mahayana and Vajrayana Buddhism. He is often compared to the Sun, because both bestow their light impartially upon all beings. However, unlike the Sun, whose light can be blocked, and which disappears at night, Vairocana's light is omnipresent, impossible to block, and shines eternally. Hence, he is called the "Great Sun". In East Asian Buddhism, Vairocana is called "大日如來" (Great Sun Thus Come One) or "毘盧遮那佛" (Vairocana Buddha).

In Mahayana and Vajrayana Buddhism, Vairocana is the Dharma-Body of all Buddhas (Dharma-Body is the true body of all Buddhas, equivalent to the Ultimate Reality), which is formless, omnipresent, self-existent, eternal, indestructible, unable to be defiled, and is the source of all manifestations. The historical Gautama Buddha is one of the emanation bodies of Vairocana Buddha.

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Nirmāṇakāya in the context of Dharmakāya

The dharmakāya (Sanskrit: धर्म काय, "truth body" or "reality body", Chinese: 法身; pinyin: fǎshēn, Tibetan: ཆོས་སྐུ་, Wylie: chos sku) is one of the three bodies (trikāya) of a Buddha in Mahāyāna Buddhism. The dharmakāya constitutes the unmanifested, "inconceivable" (acintya) aspect of a Buddha out of which Buddhas arise and to which they return after their dissolution. When a Buddha manifests out of the dharmakāya in a physical body of flesh and blood, which is perceptible to ordinary sentient beings, this is called a nirmāṇakāya, "transformation body".

The Dhammakāya tradition of Thailand and the Tathāgatagarbha sūtras of the ancient Indian tradition view the dharmakāya as the ātman (true self) of the Buddha present within all beings.

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Nirmāṇakāya in the context of Trikāya

The Trikāya (Sanskrit: त्रिकाय, lit. "three bodies"; Chinese: 三身; pinyin: sānshēn; Japanese pronunciation: sanjin, sanshin; Korean pronunciation: samsin; Vietnamese: tam thân, Jyutping: saam1 san1, Tibetan: སྐུ་གསུམ, Wylie: sku gsum) is a fundamental Buddhist doctrine that explains the multidimensional nature of Buddhahood. As such, the Trikāya is the basic theory that grounds the Mahayana buddhology, that is, the theology of Buddhahood.

This concept posits that a Buddha has three types of kayas or "bodies", aspects, or ways of being, each representing a different facet or embodiment of Buddhahood and ultimate reality. The three are the Dharmakāya (Sanskrit; Dharma body, the ultimate reality, the Buddha nature of all things), the Sambhogakāya (the body of self-enjoyment, a blissful divine body with infinite forms and powers) and the Nirmāṇakāya (manifestation body, the body which appears in the everyday world and presents the semblance of a human body). It is widely accepted in Buddhism that these three bodies are not separate realities, but functions, modes or "fluctuations" (Sanskrit: vṛṭṭis) of a single state of Buddhahood.

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