Nereus in the context of "Actaea (Greek myth)"

In Greek mythology, the Nereids or Nereides (/ˈnɪəriɪdz/ NEER-ee-idz; Ancient Greek: Νηρηΐδες, romanized: Nērēḯdes; sg. Νηρηΐς, Nērēḯs, also Νημερτές) are sea nymphs (female spirits of sea waters), the 50 daughters of the 'Old Man of the Sea' Nereus and the Oceanid Doris, sisters to their brother Nerites. They often accompany Poseidon, the god of the sea, and can be friendly and helpful to sailors (such as the Argonauts in their search for the Golden Fleece).

Thetis (/ˈθiːtɪs/ THEEH-tiss, or /ˈθɛtɪs/ THEH-tiss; Ancient Greek: Θέτις, romanized: Thétis pronounced [tʰétis]) is a figure from Greek mythology with varying mythological roles. She mainly appears as a sea nymph, a goddess of water, and one of the 50 Nereids, daughters of the ancient sea god Nereus.

When described as a Nereid in Classical myths, Thetis was the daughter of Nereus and Doris, and a granddaughter of Tethys with whom she sometimes shares characteristics. Often she seems to lead the Nereids as they attend to her tasks. Sometimes she also is identified with Metis.

Ancient Greek art is the visual and applied arts, as well as the architecture, produced by the Hellenes or Greek peoples from the start of the Iron Age to the Hellenistic period, ending with Roman conquest of Greece at the Battle of Corinth in 146 BCE. It stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known.

In Greek mythology, Phorcys or Phorcus (/ˈfɔːrsɪs/; Ancient Greek: Φόρκυς) is a primordial sea god, generally cited (first in Hesiod) as the son of Pontus and Gaia (Earth). Classical scholar Karl Kerenyi conflated Phorcys with the similar sea gods Nereus and Proteus. His wife was Ceto, and he is most notable in myth for fathering by Ceto a host of monstrous children. In extant Hellenistic-Roman mosaics, Phorcys was depicted as a fish-tailed merman with crab-claw legs and red, spiky skin.

According to Servius, commentator on the Aeneid, who reports a very ancient version already reflected in Varro, distinct from the Greek vulgate: Phorcos was once king of Sardinia and Corsica; annihilated in a naval battle in the Tyrrhenian Sea, and then shot down by King Atlas with a large part of his army, his companions imagined him transformed into a marine deity, perhaps a monster, half man and half sea ram.

In Greek mythology, the Old Man of the Sea (Ancient Greek: ἅλιος γέρων, romanized: hálios gérōn; Greek: Γέροντας της Θάλασσας, romanized: Yérondas tis Thálassas) was a figure who could be identified as any of several water-gods, generally Nereus or Proteus, but also Triton, Pontus, Phorcys or Glaucus. He is the father of Thetis (the mother of Achilles).

In Greek mythology, Nerites (Ancient Greek: Νηρίτης, romanized: Nērítēs, lit. 'sea snail') is a minor sea deity, the son of "Old Man of the Sea" Nereus and the Oceanid nymph Doris, and brother of the fifty Nereids (apparently their only male sibling). He was described as a young boy of stunning beauty. According to Aelian, although Nerites was never mentioned by epic poets such as Homer and Hesiod he was a common figure in the mariners' folklore nevertheless.