Károly Kerényi (Hungarian: Kerényi Károly, pronounced [ˈkɛreːɲi ˈkaːroj]; 19 January 1897 – 14 April 1973), also known as Karl Kerényi, Carl Kerényi, Charles Kerényi and Carlo Kerényi (aliases under which his works were sometimes published, respectively in German, English, French and Italian), was a Hungarian scholar in classical philology and one of the founders of modern studies of Greek mythology.
>>>PUT SHARE BUTTONS HERE<<<
👉 Karl Kerenyi in the context of Phorcys
In Greek mythology, Phorcys or Phorcus (/ˈfɔːrsɪs/; Ancient Greek: Φόρκυς) is a primordial sea god, generally cited (first in Hesiod) as the son of Pontus and Gaia (Earth). Classical scholar Karl Kerenyi conflated Phorcys with the similar sea gods Nereus and Proteus. His wife was Ceto, and he is most notable in myth for fathering by Ceto a host of monstrous children. In extant Hellenistic-Roman mosaics, Phorcys was depicted as a fish-tailed merman with crab-claw legs and red, spiky skin.
According to Servius, commentator on the Aeneid, who reports a very ancient version already reflected in Varro, distinct from the Greek vulgate: Phorcos was once king of Sardinia and Corsica; annihilated in a naval battle in the Tyrrhenian Sea, and then shot down by King Atlas with a large part of his army, his companions imagined him transformed into a marine deity, perhaps a monster, half man and half sea ram.
In this Dossier
Karl Kerenyi in the context of Jane Ellen Harrison
Jane Ellen Harrison (9 September 1850 – 15 April 1928) was a British classical scholar and linguist. With Karl Kerenyi and Walter Burkert, Harrison is one of the founders of modern studies in Ancient Greek religion and mythology. She applied 19th-century archaeological discoveries to the interpretation of ancient Greek religion in ways that have become standard. She has also been credited with being the first woman to obtain a post in England as a 'career academic'. Harrison argued for women's suffrage but thought she would never want to vote herself. Ellen Wordsworth Crofts, later second wife of Sir Francis Darwin, was Jane Harrison's best friend from her student days at Newnham, and during the period from 1898 to Ellen's death in 1903. The depth and influence of Harrison’s friendship with Eugénie Sellers Strong—ended by a dramatic breech in the 1890s—is explored in a monograph by Mary Beard: after their breakup Sellers became an influential authority on the material culture of Imperial Rome, while Harrison’s work dug deeper and deeper into the primitive ritual origins of Greek drama. Though moving in different directions chronologically, in terms of their focus, the women appear otherwise as doppelgängers of one another in their concerns, style and characteristic forms of argument deriving from an approach that became known as classical anthropology. Harrison’s Prolegomena to Greek Religion had a compelling and inspirational impact on the later artworks of T. S. Eliot, Virginia Woolf, and Hilda Doolittle and her scholarly legerdemain was formative to the group of classicists known as the Cambridge ritualists.
Karl Kerenyi in the context of Potnia
Potnia is an Ancient Greek word for "Mistress, Lady" and a title of a goddess. The word was inherited by Classical Greek from Mycenean Greek with the same meaning and it was applied to several goddesses. A similar word is the title Despoina, "the mistress", which was given to the nameless chthonic goddess of the mysteries of Arcadian cult. She was later conflated with Kore (Persephone), "the maiden", the goddess of the Eleusinian Mysteries, in a life-death rebirth cycle which leads the neophyte from death into life and immortality. Karl Kerenyi identifies Kore with the nameless "Mistress of the labyrinth", who probably presided over the palace of Knossos in Minoan Crete.