Neapolitan School in the context of "Domenico Cimarosa"

Vincenzo Salvatore Carmelo Francesco Bellini (/bəˈliːni/; Italian: [vinˈtʃɛntso salvaˈtoːre karˈmɛːlo franˈtʃesko belˈliːni] ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the bel canto era, he was admired not only by the public but also by many composers who were influenced by his work. His songs balanced florid embellishment with a deceptively simple approach to lyric setting.

Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, Adelson e Salvini (1825), for the conservatory, and his next, Bianca e Fernando (1826), on a Teatro di San Carlo-affiliated commission for promising students. He also became close friends with his peer and first biographer, Francesco Florimo.

Niccolò Jommelli (Italian: [nikkoˈlɔ jomˈmɛlli]; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.

Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779), was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing the ornateness of style and the primacy of star singers.

Dramma giocoso (Italian, literally: drama with jokes; plural: drammi giocosi) is a genre of opera common in the mid-18th century. The term is a contraction of dramma giocoso per musica and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A dramma giocoso characteristically used a grand buffo (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music.

The only operas of this genre that are still frequently staged are Mozart and Da Ponte's Don Giovanni (1787) and Così fan tutte (1790), Rossini's L'italiana in Algeri (1813) and La Cenerentola (1817), and Donizetti's L'elisir d'amore (1832).